Mabel was born in the 1920s at Yirajara, which is near Jurntu Jurntu. Her parents were both Warnman people whose country encompassed Tarl and Nayijara. Mabel grew up in the pujiman (bush) way through her teens and as an adult, she walked into Jigalong Mission. She paints her ngurra (home) and her warrarn (country) to teach the young so that they can learn to paint, too.
Name: Mabel Mitutu Wakarta
Language: Warnman
Community: Parnngurr
Biography:
Mitutu was a Warnman woman born in the 1920s at Yirrajarra soak, located close to Lake Auld and just north of Tiwa (Canning Stock Route Well 26). Her Country encompassed the Karlamily (Rudall River) region and surrounding water sources from Tarl to Nyajarra and Juntu-juntu. Mitutu lived a pujiman (desert dwelling) lifestyle until, following a severe and prolonged drought, her parents, her brother and her sister all passed away in close succession. Mitutu, her husband and extended family then decided to begin the long journey on foot to Jigalong Mission, where many other desert families had already relocated. They walked for over 200 kilometres through the Karlamilyi (Rudall River) and Talawana areas to arrive at the mission.
Mitutu was an adult when she arrived at Jigalong and went to work cooking, washing and cleaning houses. After leaving Jigalong she worked for many years on Roy Hill, Ethel Creek and Bonney Downs Stations, as well as several stations to the south of Martu Country.
Mitutu was one of Martumili’s most senior and pioneering artists for many years, and embraced painting as a means of transferring cultural knowledge to younger Martu generations. A prolific artist, she developed a uniquely bold geometrical style, tending toward palettes of highly contrasting colours to portray her ngurra (home Country, camp) and its associated Jukurrpa (Dreaming) narratives. When Mitutu first started painting she was living in Irrungadji Aboriginal community, adjacent to Nullagine, with fellow Martumili Artists Jatarr Lily Long and Wurta Amy French. Later Mitutu moved to Parnngurr Aboriginal community to be closer to her family and home Country, where she remained until her passing in 2019.
Untitled This is Wurta Amy French’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural Read more…
Untitled Martumili Artists work with over three hundred artists from remote Martu Aboriginal communities, including Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong, as well as from the Parnpajinya (Newman) gallery and studio spaces. Known Read more…
Kun Kun (Kuny-Kuny) Kun Kun (Kuny-kuny) is a soak accessing a large body of underground water, located southeast of Kunawarritji (Canning Stock Route Well 33). The site is sacred for its association with the marlu Read more…