111581940986

Published by on



Kulyakartu

This painting is part of the Nyina-ya ngurrangka ngampurrpa (stay in your home safely) collection – a body of works by Martu artists in lockdown. From Monday 16th March Martumili Artists closed on-site art-production and retail, as a protective measure in the face of the COVID-19 pandemic. The remote Martu communities of Parnngurr, Punmu, Kunawarritji, Warralong and Jigalong went into lockdown, with access to visitors strictly prohibited to protect community members, and in particular the important elders that call Martu Country home. Martu Artists who found themselves on Country during lockdown had the opportunity for reconnection with their daily art practice, undisturbed by busy contemporary life as Australia, and indeed the world, slowed down in the face of the global pandemic.

 

This collection of artworks showcases the unstoppable determination of Martu Artists in their work, and demonstrates a deep and enduring commitment to art-making as an act of cultural preservation and social connection. Martu elders use paintings as a means to pass on stories of Country, jukurrpa (dreaming), family histories and traditional environmental knowledge to younger family members. To Martu Artists, painting is connection. And in times of isolation and lockdown, they have remained connected to eachother, and to their Country.

 

This painting depicts Kulyakartu, Wokka’s ngurra (home Country, camp). Kulyakartu is located in the far north of the Martu homelands, near the Percival Lakes region of Western Australia’s Great Sandy Desert. Wokka has extensive knowledge of the Country in this region, where he grew up living traditionally during the pujiman (traditional, desert dwelling) days with his family. Kulyakartu is mostly grass Country where there is very good hunting. In particular parnajarrpa (goanna), wild cats, and lunki (witchetty grub) are found in abundance here. There is no permanent water source in Kulyakartu, so Wokka’s family would walk here annually following the wantajarra (wet season). During the yalijarra (hot, dry months) they would head south again to more permanent water.

Name: Wokka Taylor


Language: Manyjilyjarra


Community: Parnngurr


Biography:

Wokka was born in the late 1940s at Kaljali waterhole in the Kulyakartu area; flat, grass Country in the far north of the Martu homelands and close to the Percival Lakes region. He is the middle brother to fellow Martumili Artists Muuki Taylor and Ngalangka Nola Taylor. Both Muuki and Wokka are highly regarded cultural leaders, and Ngalangka a skilled translator and cultural advisor. 

In his youth Wokka’s family seasonally travelled between the Kulyakartu and Percival Lakes regions depending on the availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant. Generally they lived in Kulyakartu during the wet season, when its' claypans filled with rain, and the Percival Lakes during the dry season, when they could rely on the area’s many permanent soaks. They continued to live a pujiman (traditional, desert dwelling) lifestyle until being collected from Balfour Downs Station and taken to Jigalong Mission in the 1960s. They were one of the last Martu families to leave the desert. 

At Jigalong Wokka married Kanu (Karnu) Nancy Taylor (dec.); the pair were inseparable through to her passing in 2019. From Jigalong the couple lived and worked together on several cattle stations throughout the Pilbara. Eventually they relocated with their family to Parnngurr Aboriginal community as foundational community members during the ‘Return to Country’ movement of the 1980’s. Wokka continues to live in Parnngurr today.

Wokka paints his ngurra (home Country, camp), the Country he walked as a young man; its animals, plants, waterholes and associated Jukurrpa (Dreaming) narratives. His work has been exhibited widely across Australia.


© the artist / art centre