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Wantili (Warntili, Canning Stock Route Well 25)

“Wantili (Warntili, Canning Stock Route Well 25), mummy’s ngurra (home Country, camp).”

– Wurta Amy French

Wantili is a large round jurnu (soak) and linyji (claypan) near Well 25 on the Canning Stock Route. This site is Wurta’s birthplace, and as such forms an integral part of her ngurra. When she was born, her parents saw emus marching in a line toward the water trough here. For this reason Wurta’s jarriny (totem) is the emu.

The Wantili region is dominated by claypans surrounded by tuwa (sandhills), and Nyilangkurr, a prominent yapu (hill) is located close to the eastern edge of the claypan. Following rain the typically dry claypans are filled with water, with the overflow from nearby waterholes flowing to Wantili. At that time, Wantili becomes an important place for obtaining fresh water for drinking and bathing. Wantili is significant for the fact that at this site Kartujarra, Manyjilyjarra, Putijarra and Warnman people would all come together for ceremonies during the pujiman (traditional, desert dwelling) era. Many jiwa (stones used by women for grinding seeds) from these times can still be found there today.

Culturally, Wantili is an incredibly important site in two central Jukurrpa (Dreaming) stories. The first relates to the world’s creation. In this narrative, the world was initially dark, and people were like rocks, with no arms or legs. Following the sun’s first rising, life-forms become increasingly complex while particular features in the land are created. Beyond these details much of the narrative is ngurlu (sacred, taboo), and only for Martu, but the site is open, and anyone can go there. 

Wantili is also one of the many sites featured in the epic Minyipuru (Jakulyukulyu, Seven Sisters) Jukurrpa story. Minyipuru is a central Jukurrpa narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation. Relayed in song, dance, stories and paintings, Minyipuru serves as a creation narrative, a source of information relating to the physical properties of the land, and an embodiment of Aboriginal cultural laws. The story follows the movement of a group of women travelling all the way across the desert, beginning at Roebourne on the coast of Western Australia, as they are pursued by Yurla, a lustful old man. As the women travelled, they stopped to rest at many sites to eat, dance, rest and sing, on the way leaving behind an assortment of articles that became formations in the land, such as groupings of rocks and trees, grinding stones and seeds. The sisters rested at Wantili before throwing seeds, then continued their journey far to the east and beyond Martu Country, stopping at various sites through central and South Australia.

Name: Amy French


Language: Warnman


Community: Irrungadji (Nullagine)


Biography:

“This Karlamilyi area, big land. That’s a ngurra (home Country, camp) belonging to our old people, Warnman people. We talk for our land, our jila (snake). I grew up in this Country, my Country. This land belongs to our father. In pujiman (traditional, desert dwelling) days I walked around here, used to walk up and down tuwa (sandhill) and back to the main camp belonging to Martu. We are Warnman ladies, painting Kintyre and Karlamilyi. We can share this Country.”

 - Sisters Wurta Amy French and Jatarr Lily Long

 

Wurta is a Warnman woman and custodian of the Karlamilyi (Rudall River) region. She was born in the late 1930’s at Wantili (Warntili, Canning Stock Route Well 25), and is the eldest sister of fellow Martumili Artist Jatarr Lily Long. Before Jatarr was born, Wurta lived in the Karlamily region with her parents. Following Jatarr’s birth the two sisters grew up together further east, in the area surrounding Tiwa (Canning Stock Route Well 26). Tiwa is a water source located east of Parnngurr Aboriginal Community, and just west of a culturally significant group of hills called Partujarrapirri. 

Wurta distinctly remembers one of her first encounters with whitefellas, when a plane flew overhead whilst the sisters were out hunting. Both petrified, they ran away and hid until the plane had passed. Later, her family returned to the Karlamily region for a time, moving between camps located all along the Karlamily River and up to the large salt lake, Nyayartakujarra (Lake Dora). In the late 1940’s Wurta’s family “leave Karlamilyi behind” (Wurta Amy French). Together they travelled on foot for more than 200 kilometres to Jigalong Mission, where a supply of rationed food and water was assured. There they were reunited with family members that had already moved in from the desert. Whilst living at Jigalong, Wurta’s youngest sister Helen Dale Samson was born and Wurta married her promised husband. 

In Jigalong Wurta and Jatarr transitioned to a life as a stockwoman; “In Jigalong people, kids and all used to work there, mustering in station for ration. I stopped in dormitory… with my two sister” (Wurta Amy French). From Jigalong Wurta worked on Bonney Downs Station and several stations around Meekatharra before moving to Irrungadji, Nullagine, where she continues to live with her sister Jatarr, her children and grandchildren.


Wurta and Jatarr paint individually and also collaboratively, primarily depicting their ngurra in Karlamilyi; its animals, plants, waterholes and associated Jukurrpa (Dreaming) stories. Wurta is known for her bold use of colours and surreal landscapes, blending aerial and frontal perspectives. She has exhibited extensively since the inception of Martumili Artists in 2006 in galleries throughout Australia, in Singapore and the USA.


© the artist / art centre