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Tarl

Tarl is a spring located at the southern end of the large salt lake, Nyayartakujarra (Lake Dora), and at the south of Punmu Aboriginal community. Surrounding Tarl are numerous fresh water soaks and the permanent red tali (sandhills) typical of the area. This site lies within Mayiwalku’s ngurra (home Country, camp) through her grandmother, and was part of the area which she knew intimately and travelled extensively with her family in her youth. 

During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and gathering bush tucker as they went. At this time knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known by name, location, quality and seasonal availability through real life experience and the recounting of Jukurrpa (Dreaming) narratives.

Tarl features in the Jila Kujarra (Two Snakes) Jukurrpa narrative, one of the key Martu foundation narratives. Though the story belongs to Warnman people, it is shared across the Western Desert with several other language groups. The narrative centres on the travels of two snakes as they are pursued by the Niminjarra, spiritual ancestors of the Warnman people.

Categories: Shire of East Pilbara (Martumili Artists)

Name: May Mayiwalku (May Wokka) Chapman

Language: Manyjilyjarra

Community: Warralong

Biography:

Mayiwalku May Chapman is the eldest sister of fellow Martumili Artists Nancy Nyanjilpayi (Ngarnjapayi) Chapman, Mulyatingki Marney and Marjorie Yates (dec.). Her mother was Warnman and her father was Manyjilyjarra. Mayiwalku was born to the East, in Yirnangarri, “where the two footprints lie”. Her family’s Country extends across the Punmu, Kunawarritji (Canning Stock Route Well 33) and Karlamilyi (Rudall River) regions. Following the death of both their parents, Mayiwalku and her sisters travelled alone between Punmu and Kunawarritji, occasionally meeting with other family groups. They later walked south into Karlamilyi, where they first saw a plane flying overhead. Petrified, they hid under spinifex grass until the plane had passed.

Following the construction of the Canning Stock Route in 1910, the family increasingly came into contact with Europeans and Martu working as cattle drovers along the route. Gradually men from Mayiwalku’s family began to work seasonally at stations around Jigalong, but as a family group they remained living in the desert long after most Martu had moved to Jigalong Mission. Finally, in 1966, following a prolonged and severe drought, Mayiwalku and her sisters made the decision to walk to Balfour Downs, where they were collected by Jigalong Mission staff.

Mayiwalku lived for many years at Jigalong Mission before eventually relocating with her five children to Warralong, a community south east of Port Hedland. She continues to live in Warralong today with her daughter and equally renowned artist, Doreen Chapman. Mayiwalku was one of Martumili’s pioneering artists, and is highly regarded for her technically sophisticated works. Her paintings depict her ngurra (home Country, camp); the Country she walked as a young woman, its animals, plants, waterholes and associated Jukurrpa (Dreaming) narratives. Mayiwalku’s work has been exhibited widely across Australia and internationally, and acquired by the National Museum of Australia.

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