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Waru (fire)

This work depicts the practice of fire burning as it continues to be used today through the Martu homelands. Over thousands of years, as Martu travelled and hunted on foot they would burn tracts of land, using waru (fire) as a means to assist with hunting and to encourage regenerative growth. Whilst fire burning practices have modernised in recent times, with Martu burning areas close to Aboriginal communities and along roads, or else further afield using helicopters and 4WDs with Indigenous ranger group Karnyirninpa Jukurrpa (KJ), the same objectives are met as those during pujiman (traditional, desert dwelling) times.

Targeted waru is an important tool in animal tracking. Small burns are lit to clear vegetation, expose burrows, and to allow for access to walk and track readily in exposed sands. Fires are typically burnt during cooler weather in small, controlled areas, reducing the risk of unmanageable, spontaneous bush fires whilst simultaneously providing diverse regenerating habitats. Remaining is a defined mosaic fire scar pattern in the land, across tali (sand dunes), linyji (clay pans), parulyukurru (spinifex country) and pila (sandy plains). This patterning is clearly visible from an aerial perspective, and becomes even more defined as new growth emerges. 

The patchwork nature of regrowth is aligned with the Martu cycle of burning and regrowth and its five distinct phases. First is nyurnma (freshly burnt Country), followed after the rains by waru-waru, when young, bright green plants start to grow. Nyukura occurs between one and three years after burning, when plants have matured and are fruiting and seeding. Manguu is four to six years post burning, when spinifex has matured to the point that it can be burned once again. Finally, kunarka signifies the time when spinifex and other plant species have become old growth, and pose a risk of destructive bushfires.

Name: Tamisha Williams


Language: Manyjilyjarra



Biography:

" I was born in Newman hospital. Mum, Dad, Nanna and Pop lived in Jigalong before, but they moved into town before I was born. I’m one of seven children. I grew up in Newman , living with my mum and dad and my brothers and sisters- this is my home. I did my schooling in Newman at the yellow school [Newman Primary School and Newman Senior High School].

I was staying with my family in Punmu [Aboriginal community] when I was a bit young, with my uncle and aunty. I like to travel but I worry about home.

My Nanna and Pop used to take us out hunting for bush tucker. I’d help them make a fire and tea. Me and Pop would go out to the swamp area between Newman and Kumarina. Nan, Pop, Mum and Dad would tell funny stories about our family and make me laugh.

I started going to Martumili since when Gabe [Gabrielle Sullivan] was working there. Some of my family was painting there- Marianne [Burton] and Jakayu [Biljabu]. I used to come and watch them. I was maybe ten or eleven. I came with my brother Bamba [Corban Clause Williams] and some of the girls like Janita [Angie] and Sarafina [Mintern]. I just started painting, making art and then I started working there around 2014.  I'm still working there now. Sometimes I paint a little bit too, just painting whatever's in my head. I like painting, looking at the old people's painting, and helping the old people."

- Tamisha Williams

 


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