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Cuppa Tea – Ngurra (home Country, camp)

“It’s their home for them, real ngurra (home Country, camp). Real ngurra is where they been born and grow up.”

– Corban Clause Williams

The Western Desert term ‘ngurra’ is hugely versatile in application. Broadly denoting birthplace and belonging, ngurra can refer to a body of water, a camp site, a large area of Country, or even a modern house. People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. This knowledge is traditionally passed intergenerationally through family connections. Country for Martu is full of memory; not just the memory of their own movement through it, but also of their family. As summarised by Ngalangka Nola Taylor, “painting the ngurra, they do it to remember their connections.” 

Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical characteristics of that place, has today become an important means of cultural maintenance. Physical maintenance of one’s ngurra, like cultural maintenance, ensures a site’s wellbeing, and is a responsibility of the people belonging to that area.  

Name: Lynette Rowlands


Language: Manyjilyjarra


Community: Parnngurr


Biography:

Lynette was born in Port Hedland, grew up in Jigalong and moved to Parnngurr in 1994. Her parents are artists Thelma Judson and Peter Yanjimi Rowlands.

 

"My mum and dad told me how to make paintings. I paint wantili and my Mother's Country- Kurturarra. Long way from Punmu. I've been out there"


© the artist / art centre