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Waterhole

This work depicts a waterhole within the artists’ ngurra (home Country, camp), typically represented with circular forms. Waterholes are sites that require maintenance, including digging to increase flow, clearing out surrounding growth, and cleaning up after sullying by camels or cattle.

During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known through real life experience and the recounting of Jukurrpa (Dreaming) narratives by name, location, quality and seasonal availability. This encyclopedic knowledge extends even to the nature and movement of arterial waterways, and sustained Martu as they travelled across their Country, hunting and gathering, visiting family, and fulfilling ceremonial obligations. They would traverse very large distances annually, visiting specific areas in the dry and wet season depending on the availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant.

Name: Catherine Biljabu


Language: Manyjilyjarra


Community: Punmu


Biography:

I was born in Jigalong, grew up there.  I went to school there it was good.  I learnt to paint by Jakayu my mother's sister.  I'd be sitting down watching her and I learn from her.  I was asking her if I could paint, she said yes.  She told me stories about her grandfathers country, Wantili. They would walk around there get bush tucker.  They lived around there and Nyilangkurr, three claypans.  Grandfather passed away, he buried there.  

The old people used to do weaving then they bought paints and they started doing that.  It's good to sit down and paint it makes me feel good.  Going on those ranger trips helps me remember those stories.


© the artist / art centre