111582236807

Published by on



Papuly

“I was told this story by my two aunties, Nora Wompi (dec) and Nora Nungabar (dec) and my father Friday Finaly (dec) when we were driving from Punmu to Kunawarritji. They told me this later when I was a nurse in Punmu.”

– Kennedy Finlay

Papuly is a soak located just north of Kunawarritji Aboriginal community. This site lies within Wompi’s ngurra (home Country, camp), the area which she knew intimately and travelled extensively with her family in her youth. 

In her account of Papuly, Wompi describes an incident from the Jukurrpa (Dreaming), when the ancestral eagle ate kangaroo at the site. The term Jukurrpa is often translated in English as the ‘Dreaming’, or ‘Dreamtime’. It refers generally to the period in which the world was created by ancestral beings, who assumed both human and nonhuman forms. These beings shaped what had been a formless landscape; creating waters, plants, animals, and people. At the same time they provided cultural protocols for the people they created, as well as rules for interacting with the natural environment. At their journey’s end, the ancestral beings transformed themselves into important waters, hills, rocks, and even constellations. 

During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and gathering bush tucker as they went. At this time knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known by name, location, quality and seasonal availability through real life experience and the recounting of Jukurrpa narratives.

Name: Kennedy Finlay


Language: Manyjilyjarra


Community: Jigalong


Biography:

Kennedy was born in Nullagine. His Parents then took him on foot to the Marrina Downs Station where there were a lot of their family. They stayed for a few years and then moved to the mission in Jigalong. He lived with some family in the reserve across from the river as well as living on the stations. Kennedy's father was a cattleman and a rough rider. He would work on the stations and the mail truck would pick up the kids to take them to school in Jigalong. They would stay there until they got a call for them and then the truck would pick them up and take them back to the stations. In the late 60's early 70's the station work all finished up so Kennedy's father bought a wagon with two horses and they travelled around in that. They would travel around the stations dog trapping and fencing. Kennedy starting painting in Nullagine and sold his first painting to the nurse there. He enjoys painting landscapes and Dingo dreaming stories from his father’s country around Kunawarritji. His father handed those stories down to him, now Kennedy is sharing with the next generation so that they can hold on to their dreaming.


© the artist / art centre