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Punmu

Punmu refers to a region and an Aboriginal community within its vicinity, located 670km North-East of Newman. Created during the return to Country movement of the 1980s, with the recognition of Martu land rights and native title, the community was named after a nearby Jukurrpa (Dreaming) story. Punmu community sits on the edge of a large salt lake known as Nyayartakujarra, or Lake Dora. The lake runs south into Karlamilyi River (Rudall River). Surrounding Punmu are numerous fresh water soaks and the red tali (sandhills) typical of the area. The most frequently visited yinta (permanent springs) around Punmu include Wirlarra, Rawa, Yilyara, Jila-jila and Tuu-tuu.

Mayiwalku grew up in and travelled through this Country as a young girl with her family. This is her grandfather’s ngurra (home Country, camp). Following the passing of their parents, sisters Mayiwalku, Mulyatingki and Nyanjilpayi continued to travel through this region for several years, occasionally meeting with other family groups. 

The Country around Punmu features in several Jukurrpa stories. Of particular importance is the story of the Jila Kujarra (Two Snakes), one of the key Jukurrpa narratives for the Martu. Though the story belongs to Warnman people, it is shared across the Western Desert with several other language groups. The narrative centres on the travels of two snakes as they are pursued by the Niminjarra, spiritual ancestors of the Warnman people. 

Before transforming themselves into snakes, the Jila Kujarra were young brothers. As snakes, they began travelling home to their mother, but were intercepted by the Niminjarra, who tracked the Jila Kujarra to Paji, east of Nyayartakujarra (Lake Dora). Though the Jila Kujarra eluded their pursuers here by escaping under the lake at Paji, they were soon after speared and injured by two Pukurti (initiates with bundled hair) at Nyayartakujarra, who returned with the Niminjarra to cook the snakes at the site of Kumpupirntily (Kumpupintily, Lake Disappointment). As the Niminjarra cut down the length of the Jila Kujarra, the snake’s bladders were pierced, causing an explosion of scalding hot urine in which the Niminjarra all perished and became black rocks at the site. The spirits of the Jila Kujarra returned to their mother at Nyayartakujarra, where the mother and her sons entered the ground below Nyayartakujarra and remain to this day.

Categories: Shire of East Pilbara (Martumili Artists)

Name: May Mayiwalku (May Wokka) Chapman

Language: Manyjilyjarra

Community: Warralong

Biography:

Mayiwalku May Chapman is the eldest sister of fellow Martumili Artists Nancy Nyanjilpayi (Ngarnjapayi) Chapman, Mulyatingki Marney and Marjorie Yates (dec.). Her mother was Warnman and her father was Manyjilyjarra. Mayiwalku was born to the East, in Yirnangarri, “where the two footprints lie”. Her family’s Country extends across the Punmu, Kunawarritji (Canning Stock Route Well 33) and Karlamilyi (Rudall River) regions. Following the death of both their parents, Mayiwalku and her sisters travelled alone between Punmu and Kunawarritji, occasionally meeting with other family groups. They later walked south into Karlamilyi, where they first saw a plane flying overhead. Petrified, they hid under spinifex grass until the plane had passed.

Following the construction of the Canning Stock Route in 1910, the family increasingly came into contact with Europeans and Martu working as cattle drovers along the route. Gradually men from Mayiwalku’s family began to work seasonally at stations around Jigalong, but as a family group they remained living in the desert long after most Martu had moved to Jigalong Mission. Finally, in 1966, following a prolonged and severe drought, Mayiwalku and her sisters made the decision to walk to Balfour Downs, where they were collected by Jigalong Mission staff.

Mayiwalku lived for many years at Jigalong Mission before eventually relocating with her five children to Warralong, a community south east of Port Hedland. She continues to live in Warralong today with her daughter and equally renowned artist, Doreen Chapman. Mayiwalku was one of Martumili’s pioneering artists, and is highly regarded for her technically sophisticated works. Her paintings depict her ngurra (home Country, camp); the Country she walked as a young woman, its animals, plants, waterholes and associated Jukurrpa (Dreaming) narratives. Mayiwalku’s work has been exhibited widely across Australia and internationally, and acquired by the National Museum of Australia.

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