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Ngurra (home Country, camp)

“It’s their home for them, real ngurra (home Country, camp). Real ngurra is where they been born and grow up.”

– Corban Clause Williams

The Western Desert term ‘ngurra’ is hugely versatile in application. Broadly denoting birthplace and belonging, ngurra can refer to a body of water, a camp site, a large area of Country, or even a modern house. People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. This knowledge is traditionally passed intergenerationally through family connections. Country for Martu is full of memory; not just the memory of their own movement through it, but also of their family. As summarised by Ngalangka Nola Taylor, “painting the ngurra, they do it to remember their connections.” 

Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical characteristics of that place, has today become an important means of cultural maintenance. Physical maintenance of one’s ngurra, like cultural maintenance, ensures a site’s wellbeing, and is a responsibility of the people belonging to that area.  

Name: Dulcie Butt


Language: Manjilyajarra


Community: Parnngurr


Biography:

Dulcie was born in Port Hedland and went to school in Derby. She enjoys traveling to see family, regularly travelling to Parnngurr Aboriginal community (Cotton Creek), located within the Martu homelands, and 370km east of Newman. Here she visits her grandmother's side of the family; brothers and sisters living in Parnngurr.

Dulcie is a self-taught painter, inspired by her sister Jenny and other family members. 

 

 


© the artist / art centre