111582260367

Published by on



Around Kinyu (Canning Stock Route Well 35)

“That flat hill. You can see it when you climb up to [the Kunawarritji] airport. This one here, this the main place. This is where Manyjilyjarra people start. The dreaming is right here. Kinyu (Well 34, Canning Stock Route). When people are sick they just go here [to Kinyu). Sleep, they get better. They don’t go right in, they just go there and sleep, healing.”

-Nigel Neech

Kinyu (Canning Stock Route Well 35) is a small yinta (permanent spring) that was a popular camping ground during the pujiman (traditional, desert dwelling) era. The site is home to the ancestral mother dingo, who is both a generous provider and fierce protector of her Martu countrymen. Kinyu is so revered that the site and its associated ancestral being are often deferentially referred to as jarntu (dog) in place of uttering the actual name. The site is believed to possess healing and magical powers, and children born here are said to inherit these same powers.

During the Jukurrpa (Dreaming), Kinyu was the home for a family of dingoes; a mother, father, and their litter of pups. Originally the family had travelled to Wirlarra, following the call of the moon. At Wirlarra the moon cared for them and created a windbreak for the family to shelter. The dingoes stayed for a time at Wirlarra, scratching into the earth to create several distinctive small salt water pools which are still visited by the Martu for their healing properties. After a time, the dingoes continued travelling eastward toward the rising moon until they reached Kinyu, where they remained until all of the dingo pups had grown up. From Kinyu the family travelled further east. 

The intersection of the Canning Stock Route with Kinyu also made this a site of early contact with Europeans for many Martu then living a pujiman life in the desert. Following the route’s construction, Martu encountered Europeans and other Martu working as cattle drovers as they would travel up and down the Stock Route from water source to water source. Increasingly, pujimanpa (desert dwellers) followed the route to newly established ration depots, mission and pastoral stations. They were drawn to the route in search of food, by a sense of curiosity, or by loneliness. By the late 1950s and early 1960s, most of the desert family groups had left the desert. Eventually, these factors combined with an extreme and prolonged drought in the 1960s to prompt the few remaining pujimanpa to move in from the desert.

 

Name: Nigel Neech


Community: Kunawarritji


Biography:

“Listening first. Gotta listen first, sit back, watch those elders. Learn. Can’t just go in, burn country, go on [bush] trips. Gotta listen first, that’s what I always do. Listen and think. Same way for painting. I was looking at my family painting. In Balgo, watching Jane [Jane Gimme] and my grandmother and Kumpaya. Go out ranger trip, showing country. Painting helps me learn from my mother. Learn country, rockholes. Get that knowledge from her while she is still alive. Painting helps me learn it, helps me remember.”

-Nigel Neech

Nigel is part of the new generation of Martumili Artists. Inspired by the wisdom and creative legacy of the most senior and established artists in the group, these young and emerging artists are moving desert art forward in innovative and experimental directions.

Born in Port Headland, Nigel spent his early years in Jigalong community. He went to school there, and lived with his mother, Kumpaya Girgirba. In 1988 he went to Karalundi mission, where he continued his schooling. In his adult life, Nigel has also spent time in Parngurr, where he first started working for  KJ (Kanyirninpa Jukurrpa, ranger organisation).

Now Nigel lives in Kunawarritji community (Well 33, Canning Stock Route


© the artist / art centre