111582295448

Published by on



Kun Kun (Kuny-Kuny) Kumpaya Girgirba

“My ngurra (home Country, camp) long, long time ago, Kun Kun! This is a big waterhole. In Kun Kun, my Country, all the animals are coming to drink here. Big and small kangaroos, snakes, goannas, emus, skinks – they all drinking here. Big tali (sandhills). Big ones, four of them near the waterhole.”

– Kumpaya Girgirba (Girgaba)

Kun Kun (Kuny-kuny) is a soak accessing a large body of underground water, located south east of Kunawarritji (Canning Stock Route Well 33). The site is sacred for its association with the marlu (kangaroo) Jukurrpa (Dreaming), and was an important ceremonial site during the pujiman (traditional, desert dwelling) period.

Kun Kun lies within Kumpaya’s ngurra (home Country, camp), the area which she knew intimately and travelled extensively with her family in her youth. The Western Desert term ‘ngurra’ is hugely versatile in application. Broadly denoting birthplace and belonging, ngurra can refer to a body of water, a camp site, a large area of Country, or even a modern house. People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. This knowledge is traditionally passed intergenerationally through family connections. Painting ngurra, and in so doing sharing the Jukurrpa stories and physical characteristics of that place, has today become an important means of cultural maintenance. Physical maintenance of one’s ngurra, like cultural maintenance, ensures a site’s wellbeing, and is a responsibility of the people belonging to that area. 

During the pujiman period, knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known by name, location, quality and seasonal availability through real life experience and the recounting of Jukurrpa narratives. 

Name: Nigel Neech


Community: Kunawarritji


Biography:

“Listening first. Gotta listen first, sit back, watch those elders. Learn. Can’t just go in, burn country, go on [bush] trips. Gotta listen first, that’s what I always do. Listen and think. Same way for painting. I was looking at my family painting. In Balgo, watching Jane [Jane Gimme] and my grandmother and Kumpaya. Go out ranger trip, showing country. Painting helps me learn from my mother. Learn country, rockholes. Get that knowledge from her while she is still alive. Painting helps me learn it, helps me remember.”

-Nigel Neech

Nigel is part of the new generation of Martumili Artists. Inspired by the wisdom and creative legacy of the most senior and established artists in the group, these young and emerging artists are moving desert art forward in innovative and experimental directions.

Born in Port Headland, Nigel spent his early years in Jigalong community. He went to school there, and lived with his mother, Kumpaya Girgirba. In 1988 he went to Karalundi mission, where he continued his schooling. In his adult life, Nigel has also spent time in Parngurr, where he first started working for  KJ (Kanyirninpa Jukurrpa, ranger organisation).

Now Nigel lives in Kunawarritji community (Well 33, Canning Stock Route


© the artist / art centre