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Kunawarritji (Canning Stock Route Well 33)

Kunawarritji is an important site in the Great Sandy Desert where multiple stories and histories intersect. Originally a spring water and major Martu pujiman (traditional, desert dwelling) camping site, at the turn of the 20th century Kunawarritji was converted into a well along the Canning Stock Route. Each year throughout the 1930-50s, the well became a site of contact between the drovers, their cattle, and desert families. 

Long before colonial history entered this Country, however, other stories dominated the site. Primarily, Kunawarritji features in the Minyipuru (Jakulyukulyu, Seven Sisters) Jukurrpa (Dreaming). Minyipuru is a central Jukurrpa narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation. Beginning in Roebourne on the west coast of Western Australia, the story morphs in its movement eastward across the land, following a group of women as they walk, dance, and even fly from waterhole to waterhole. As they travelled the women left markers in the landscape and create landforms that remain to this day. During the entirety of their journey the women are pursued by a lustful old man, Yurla, although interactions with other animals, groups of men, and spirit beings are also chronicled in the narrative.

The Minyipuru travelled to Kunawarritji from Nyipily (Nyipil, Nibil, Canning Stock Route Well 34), and transformed themselves into a distinctive group of trees that remain in the area between these two sites. From Kunawarritji Yurla followed the sisters to Pangkapirni, where he finally caught one of the women. 

Today, Kunawarritji is a site of return, a place where people came back to continue their life in the desert with the formation of Kunawarritji Aboriginal community in the early 1980s. The community’s cultural significance endures, with the population swelling up to 1000 during cultural business.

Name: Marlene Anderson


Language: Manyjilyjarra


Community: Jigalong


Biography:

“My mother and father were from Wiluna area. I was born out in the desert, Melrose Station near Wiluna. My mum and dad were working on the station there then. I did my schooling there, but I moved to Jigalong as a young girl, then had my first child there. I’ve got three children and a step son too. 

[I started painting ] in Jigalong, one day at that little art shed there when Gabrielle [Sullivan, inaugural manager of Martumili Artists] was still the manager. When I shift to Newman I started painting in that old centre sometimes. 

One day at this new [art centre] building I just started coming in with Anya [Judith Samson]. She was giving me a little bit of advice, saying I should come in and do something! I just started doing it then, doing it more and more. It’s good to paint. I was looking at other people that paint, seeing their paintings get sold, so I thought “Oh yeah, I’ll start then!” It’s fun. I couldn’t stop painting now, I’m painting every day!  

I tried every painting style. Now I found this different way to paint, doing the dot paintings, and this is the one I like most. It’s relaxing! I use a long stick. I paint all the different colours I see out in Country. I like to paint about all the bush foods and wildflowers. We go out getting honey ants and bush potatoes from the ground and bush bananas on a tree, hunting for goanna.

I work with KJ [local ranger group, Kanyirninpa Jukurrpa), take the kids out Country, out in the bush. ‘Kids on Country’ we call it. It helps them to go out Country. When they go out and see the countryside and the bush, makes them feel a bit happy and like they want to go out more and more. I help take them out to track a goanna, take them right up to the hole and they dig it out. Any kids can come- like eight (years), ten, twelve, fourteen… We work with the ones who wander around in Newman, who aren’t going to school. Some kids don’t like going to school- their parents send them to school but they go around another way. It’s important for them to learn the traditions from their old people so they can be proud of themselves. I paint about the same things they learn out on Country; going and getting the honey ants, goanna, bush tomatoes and bush berries. I also do patrol at night with the women’s shelter to help the kids, help [their] families. They need someone like me to go out and help them and take them home.

I’ve had my painting in the gallery here in Newman. That felt good to see my painting on the wall. I feel happy and proud when someone buys one of my paintings.”

 - Marlene Anderson

 

Marlene Anderson has painted with Martumili Artists for over a decade. In fact, she participated in one of Martumili’s earliest workshops, held in the Jigalong art shed in 2010. It’s only in recent years, however, that Marlene has become one of our core artists; she can be found painting at home or in the Newman studio nearly every day. For Marlene, painting has become a perfect means of expressing the ninti (cultural knowledge) she helps pass to local Aboriginal youth.


© the artist / art centre