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“I like painting. It’s a good way to learn from the old people and keep the stories going.”
– Cyril Whyoulter
Cyril Whyoulter is one of the most dynamic and exciting practitioners to emerge from the youngest generation of Martumili Artists. He, like his contemporaries, began to paint with his parents, grandparents and extended family, thus fostering an organic process of learning not only about painting techniques, but also specific locations, family histories, traditional ways of life, and Jukurrpa (Dreaming). He has been a key driving force behind a number of major collaborative projects that have promoted the transfer of cultural knowledge through visual arts, including exhibitions; Pujiman (Desert dwelling, traditional) and Wantili (Warntili, Canning Stock Route Well 25).
Stylistically Cyril’s work melds traditional, contemporary, and experimental elements, demonstrating the development of his own aesthetic while continuing to reflect the powerful influence of his elders. Cyril first began drawing with his grandfather Larry Patterson, and later began painting with his mother, Betty Whyoulter, and grandmother and renowned Martumili artist, Bugai Whyoulter. Having collaborated with and worked alongside Bugai in particular, her influence is most readily identifiable in his work.
Frequently depicted in Cyril’s paintings are Jukurrpa narratives, Jila Kujarra (Two Snakes) and Wati Kujarra (Two Goanna Men), as well as various sites forming part of his family’s ngurra (home Country, camp). These sites encompass a large tract of land, ranging from the south western edge of the Karlamilyi (Rudall River) region through to Wantili, and north to the area surrounding Kunawarritji (Canning Stock Route Well 33).
