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Lipuru (Libral Well, Canning Stock Route Well 37)

Lipuru (Libral Well, Canning Stock Route Well 37) is located northeast of Kunawarritji Aboriginal community. The site features in the Minyipuru (Jakulyukulyu, Seven Sisters) Jukurrpa (Dreaming). The Minyipuru rested here during their travels along the sandhills in this region.

Minyipuru is a central Jukurrpa narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation. Beginning in Roebourne on the west coast of Western Australia, the story morphs in its movement eastward across the land, following a group of women as they walk, dance, and even fly from waterhole to waterhole. As they travelled the women left markers in the landscape and create landforms that remain to this day. During the entirety of their journey the women are pursued by a lustful old man, Yurla, although interactions with other animals, groups of men, and spirit beings are also chronicled in the narrative. The Minyipuru flew to Lipuru from Pangkapirni, between Canning Stock Route Wells 35 and 36, where Yurla grabbed one of the women and forcibly slept with her. Though she was eventually freed by her sisters, Yurla again caught up to them and tried to grab them at Lipuru.

In colonial times, Lipuru gained notoriety for the many deaths that occurred at the site following the establishment of the Canning Stock Route. The first of these occurred in 1911, when three drovers, were attacked near Lipuru. A series of retributional murders against several Martu families and then other drovers and surveyors ensued. Following these murders, the route was barely used again for nearly twenty years.

The establishment of the Canning Stock Route droving route had far reaching repercussions for Western Australia’s Aboriginal population. The construction of the route by Alfred Canning and his team in 1910 resulted in first contact with Europeans for many Martu then living a pujiman (traditional, desert dwelling) life in the desert. Following its construction, Martu encountered Europeans and other Martu working as cattle drovers as they would travel up and down the Stock Route from water source to water source. Increasingly, pujimanpa (desert dwellers) followed the route to newly established ration depots, mission and pastoral stations. They were drawn to the route in search of food, by a sense of curiosity, or by loneliness. By the late 1950s and early 1960s, most of the desert family groups had left the desert. Eventually, these factors combined with an extreme and prolonged drought in the 1960s to prompt the few remaining pujimanpa to move in from the desert.

Categories: Shire of East Pilbara (Martumili Artists)

Name: Debra Thomas

Language: Manyjilyjarra

Community: Punmu

Biography:

“We’ve been in Punmu long time. We moved from Camp 61 where we were schooling the kids there. And moved to Punmu, and we stayed there. Big mob of us came back in a truck, in an old tractor with the trailer. That old truck still there at the turnoff. We came in that one now. Me and my partner and my two kids, a boy and a girl. We went there. I had Nyriti [her youngest boy] in Punmu. Right there, next to the school, near the lake. It was good! We started a school there in the bough shed. Before it was in a building. I was there with my two kids. No power or houses. Just a tent. We used to make pujiman (traditional, desert dwelling era) style, with the warta [wood] and leaves, make some shade. Big mob of us there, they all finish now. Jakayu [Biljabu], Minyawe [Miller] there. Then we made the houses. 

Good work with the rangers [Kanyirninpa Jukurrpa ranger program]. We see the waterholes, they tell us about our family trees. Go see our Country. Mother’s Country and father’s Country. And now we painting with Martumili. I want to go do painting more. Lovely one, juri [lovely] one. Sit down. I sit down all day, nothing to do at home.”

- Debra Thomas

Debra grew up in Nullagine and went to school both in Nullagine and Jigalong. Later in life she settled at Camp 61, an outstation on Bilanooka Station where she helped set up a community school. Moving to Punmu during the Return to Country movement of the early 1980s, Debra assisted with the establishment of the Punmu School in the Community’s bough shelter. 

Over the last several years, Debra has learned to paint by sitting with the older women. She particularly enjoys learning about Country from the senior women and ensuring that her children spend time watching their elders paint and learning the stories for and history of their County. While painting, she talks about the subtle sparkling colours of the plants and flowers that grow around Karlamilyi (Rudall River). In recent years she has also worked as a ranger for the Kanyirninpa Jukurrpa ranger program. 

Debra paints her mother's country, which is Warnman country, surrounding Karlamilyi (Rudall River) as well as her father's country, around Kunawarritji.

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