111582333804

Published by on

Jigalong

“This one here. Yeah. That’s Jigalong. I’ve been there. I was working there. That’s good, this one here. Stories, yeah? This one here. I was painting in Jigalong. This one’s the cars. The cars. And the houses in Jigalong. And then the sandhills, lakes. That’s the lake [points to top right-hand corner]. The lake here and the green trees, and the sandhills. We going out working, you know? We going out working to Jigalong. All the ladies, we go out. All the ladies. Yeah that’s the one, all the ladies. We work choppers. Yeah I’ve been there in Jigalong with my mum and dad long time. And the cars. We go out in that. We go out working. We just work around Jigalong, the ladies.”

– Helen Dale Samson

Jigalong Aboriginal Community, the largest of the Martu communities, is located on the western edge of the Little Sandy Desert, not far from the town of Newman. Jigalong was established in 1907 as the site for a maintenance and rations store for workmen constructing the Rabbit Proof Fence, and converted to a camel breeding site in the 1930’s before finally becoming a Christian mission under the Apostolic Church in 1947. The land was returned to the Martu in 1974. 

For many Martu, Jigalong Mission was the site where their pujiman (traditional, desert dwelling) lifestyle came to an end from the late 1940s as they transitioned to a life as stockmen and women working in cattle stations in the Pilbara region and beyond. In the wake of the extreme and prolonged drought of the 1960s, the last of the remaining pujimanpa (desert dwellers) were forced to move to missions like Jigalong, where a supply of food and water was assured. There, many Martu were reunited with family members that had already moved in from the desert. 

Old Jigalong is where the camp on Jigalong Station was situated before the present Community was built. Dale grew up here, but would frequently camp with her family on Country during weekends. Helen Dale continues to live in Jigalong today.

Categories: Shire of East Pilbara (Martumili Artists)

Name: Helen Samson

Language: Warnman

Community: Jigalong

Biography:

“I been painting in Jigalong long time. I’ve been working at the school there. Take the kids to school. Long time I been working there and at Punmu school, yeah for the kids, yeah long time. I been working and I tell a story for the children.

Now I learn [to paint] myself. I do it myself. I been do drawing, nice colours and then think, think, think. Thinking in my head. And thinking what I can draw with. Just draw it first and do it slowly like that, yeah? Yuwayi (yes).”

 - Helen Dale Samson

Helen Dale Samson is a Warnman woman and custodian of the Karlamilyi (Rudall River) region, where her family travelled during the pujiman (traditional, desert dwelling) era. She is the youngest sister of fellow Martumili Artists Jatarr Lily Long and Wurta Amy French, but unlike her sisters, she was born in Jigalong Mission and has no memory of her parents. Her family had decided to relocate to the mission in order to be reunited with family members that had already moved in from the desert, and to access an assured supply of rationed food. Dale grew up in the mission dormitory, schooling and working during the week, but spent her weekends and holidays camping in the Country surrounding Jigalong and Puntawarri with her extended family.

Once married, Dale lived around Puntawarri and Nguyakurlu rockholes, walking and hunting there. Later, like many Martu, she worked at various stations around the Pilbara, including Mundawindi (Mundiwinti) and Sylvania Stations. In more recent years Dale returned to Jigalong Aboriginal community, where she continues to live today with her children and grandchildren.

Dale has established a reputation as a dedicated and innovative painter and weaver. She paints about the old mission days and the places she and her ancestors travelled, along with their associated Jukurrpa (Dreaming) stories. Dale’s vibrant paintings meld a naive Western style with unique, textured motifs and multiple perspectival views of her Country. She is particularly adept at describing the gorgeous array of flora that covers Martu Country, abstracting flowers and trees into beautiful patterns.

 

Related Posts

Shire of East Pilbara (Martumili Artists)

111582339403

Basket Weaving is a skill that has been practiced by Martu for thousands of years in the making of utilitarian and ceremonial items, such as yakapiri (bark sandals) and manguri (head pads for balancing carved carrying Read more…

Shire of East Pilbara (Martumili Artists)

111582339402

Basket Weaving is a skill that has been practiced by Martu for thousands of years in the making of utilitarian and ceremonial items, such as yakapiri (bark sandals) and manguri (head pads for balancing carved carrying Read more…

Shire of East Pilbara (Martumili Artists)

111582339401

Untitled Martumili Artists work with over three hundred artists from remote Martu Aboriginal communities, including Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong, as well as from the Parnpajinya (Newman) gallery and studio spaces. Known Read more…

© the artist / art centre