111582336301

Published by on

Bush Tucker

Depicted in this work are traditional types of bush tucker, their habitats, and their related hunting and gathering methods. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and gathering bush tucker as they went. Whilst desert life has moved away from mobile hunter-gatherer subsistence throughout the course of the twentieth century, bush tucker continues to be a significant component of the modern Martu diet. Hunting and gathering bush tucker remains equally valuable as an important cultural practice that is passed on intergenerationally. Though hunting and gathering implements have been modernised, methods of harvesting, tracking and the use of fire burning to drive animals from their retreats are still commonly practiced today. 

Typically, animals hunted for their kuwiyi (meat) include kirti-kirti (euro kangaroo) and marlu (plains kangaroo), parnajarrpa (sand goanna), kipara (Australian bustard, bush turkey) and karlaya (emu). Lunki (witchetty grub) and wuukurta (honey ants) are dug from tree and bush trunks, or from underground nests. Popular mayi (plant food) includes minyarra (bush onion), collected from small, grass like plants; root vegetables dug from underground such as kulyu and mata (types of bush potato); and seeds such as kalaru (samphire, salt bush), yuwinyji, and marnkalpa (spinifex species). Jawirli (quondong), wamurla (bush tomatoes), jinyjiwirrily (wild gooseberry), ngaputa (melon), and karlkula (bush banana) are some of the most popular bush fruits. These are often collected in the wantajarra (cool season) and tuulpara (spring) months, along with juri (sweet) botanical gums and wama (nectar), obtained from various plant species. 

Traditional tools used for hunting and gathering bush tucker were carved from wanari (mulga), mulunturu (desert oak), yurungkura (river red gum) and mijarrpa (bloodwoods), and included kurlata (spears), jurna (hitting stick), karli (boomerangs), wana (digging-sticks), piti (timber bowls used for carrying food and water), and jiwa (grinding stones for grinding seeds into flour). While carved objects retain enormous social and ceremonial importance in Martu life, they are no longer used for hunting and gathering.

Categories: Shire of East Pilbara (Martumili Artists)

Name: Dianne Marney

Biography:

“I was born in Strelley and, yeah, we was there until we come to Punmu when I was, might be, 3,4, 5 years old. I grew up here in Punmu, go to school here. First we was at Yilyara [one of several frequently visited yinta (permanent springs) located in the Country immediately surrounding Punmu Aboriginal community] There was two house there then. I was all the time living with my mum, Mulyatingki [Marney].

When I was maybe 11 we was staying at Bidyadanga [a community located on the Kimberley coast in Western Australia] for a little while- me and Mulyatingki. She had a brother there, but he passed away. My big sister, Morag Chapman, she had a husband in Bidyadanga too. Mulyatingki, she didn’t want to stay there in Bidyadanga, she wanted to come back to Punmu, so we came back. I lived in Punmu until I had kids and moved to Kalgoorlie, moved to Jameson Range.

I was painting before, when the old people was alive, ngaru (poor things), when they first started painting [in 2006, when Martumili Artists was established]. I was helping my mum when I was going to school. When they [the artists] first started, I was sitting down and helping mum a little bit. I was doing it because my mother paint, paint, always doing painting, and I just do it too. Mulyatingki told me to paint, and the old girl [Mulyatingki’s younger sister] too.

I didn’t paint again until I came back to Punmu. But I’m happy here! Happy because my kids are here. I was too long away, in Kalgoorlie, and I feel homesick- I want to come back to Punmu and do a bit of painting. And my mum and brother were too sick, I come back to be with them.

I paint about my Country, all around Punmu, and my mum’s Country. Mulyatingki told me about how to do [paint] her country, Nyinyiri Country, where she born. I never been there, I have to go there one day. Mum told me in the Martu way, how she talk, she told me to do all the warla (lake, claypan), sandhills and waterholes. She told me do that. I get an idea from mum, she tell me and I think and I paint it. I see her painting, what she do, and when I come back home I think in my mind how she do. I’m proud of her and I’m proud of painting where I grew up.

Here in Punmu I paint with other people now, Gladys [Bidu] and Yikartu [Bumba]. We have a story and a laugh. It’s good, and making me happy. [When I paint] I just do what I like to do. I see the colours coming in the sandhill- I do it red, I do it brown. Sandhill and spinifex and lake and all the flowers and trees all mixed.

Gladys and Yikartu, they tell me, talk to me about painting. The old girl [Mulyatingki’s youngest sister], she would tell me and mum tell me too. One day when mum comes I’ll sit with her and paint- I might get a different idea! My daughter [Shasharnie Lane] and son [Otis Lane] paint now too.

I just done another painting, ‘Jila Jila rockhole’. I done it a bit different. I was looking at the colours on the sand and the rock when the sun was going down. I’m learning.

[Besides painting] I like to make baskets. I learned by my mum and my sister Morag too. I been learn by them when I was a bit younger, might be about twenty years old. Now I’m fourty four and I can do really good, big baskets.

I also like to go hunting too, and I like to sing a Martu song for the kids here in Punmu. I was singing at the school for the little jijis (children), singing the songs. I help the jijis with KJ [Martu organisation ‘Kanyirninpa Jukurrpa’ runs a ‘Family’ program in addition to Social, Culture and Country programs. Collectively these Martu led programs work to “teach young people about their culture and look after country.”]

 - Dianne Marney

 

Diane Marney, daughter of the renowned artist Mulyatingki Marney, first learned to paint and weave baskets alongside her mother and aunt during the early days of the Martumili Artists, nearly twenty years ago. After spending many years in the Kalgoorlie region as a young woman, Diane has recently returned to both her artistic roots and her home Country, Punmu.

 

Related Posts

Shire of East Pilbara (Martumili Artists)

111582336332

Fiery Identities “Five fiery and hot heat circles of different Aboriginal identity groups in the Pilbara.” – Joan Lever   Martumili Artists work with over three hundred artists from remote Martu Aboriginal communities, including Punmu, Read more…

Shire of East Pilbara (Martumili Artists)

111582336317

Helicopter “Flower after the rain, you know- a mix. Blue, pink, yellow and purple- grow up with the grass after the rain. You can see anywhere when the burnt ground grows after the rain. [On] Read more…

Shire of East Pilbara (Martumili Artists)

111582336309

Karlamilyi- Jatarr Lily Long and/ or Wurta Amy French “This Karlamilyi area, big land. That’s a ngurra (home Country, camp) belonging to our old people, Warnman people. We talk for our land, our jila (snake). Read more…

© the artist / art centre