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Ladies Gathering

“These are the ladies gathering and learning [teaching] young girls. We learn from the oldest and pass it down to the younger generation. These are the ladies in the scrub and around are the dry claypans.

We take them out and show the younger girls to hunt and prepare food and bush medicine, to make fire, and collect bush tucker. We show them how to find water, where to walk for the waterhole. We learn them to paint and collect weaving grass for the elders to weave.”

– Roxanne Anderson

 

In this artwork Roxanne illustrated the transfer of knowledge from elders to younger Martu generations. During the pujiman (traditional, desert dwelling) period, Martu would traverse vast distances annually in small family groups, moving seasonally from water source to water source and hunting and gathering bush tucker as they went. Although desert life has moved away from mobile hunter-gatherer subsistence throughout the course of the twentieth century, bush tucker remains a significant component of the modern Martu diet and continues to play a crucial role in passing down cultural knowledge.

While hunting and gathering implements have been modernised, methods of harvesting, tracking and the use of fire burning to drive animals from their retreats are still commonly practiced today.

Visual arts also play a vital role in preserving Martu culture. Younger Martu artists typically begin painting with their parents, grandparents and extended family, creating an organic learning process that encompasses not only painting techniques but also knowledge of specific locations, family histories, traditional ways of life, bush tucker and Jukurrpa (Dreaming).

Name: Roxanne Anderson


Language: Manyjilyjarra


Community: Derby


Biography:

“My name is Roxanne Anderson. I was born in Barwidgee Station in the bush at a windmill called Top Mill. It’s 190 kilometres from Wiluna, southeast. My parents worked there at Barwidgee Station. My father was shearing and mustering sheep. My mother, she used to be the house lady, doing all the cleaning.

We stayed at the station with a lot of other families. My auntie used to look after us when my mum was at work. She learned [taught] us about hunting and gathering for bush tucker. We grew up there, we stayed there until we went into town on the Wiluna Mission in the 70’s, ‘till it closed in ’75 or maybe ’76. We got our education in Wiluna Mission, and on the holidays the boss lady from the station and my mum used to pick us up, but we wouldn’t hang around. We’d go back to the bush- learn about hunting and bush foods.

After Wiluna I was living with my auntie in East Perth, and I went to Carlisle Primary school. Then I went to Kalgoorlie Eastern Goldfield’s Senior High, stayed in a boarding place. I knew other people from Wiluna that was going there.

I got four childrens, my oldest is a son and the other three are my daughters. My son and my two youngest daughters all paint. They looked at me and learned. I got four grandchildren, three grandson and one granddaughter, little ones.

I had a lot of paintings in exhibitions. I also done a logo of the Birriliburu [Native Title] Determination on the t-shirts and cups. I even got a Canning Stock Route painting on one of those Headsox. They’re all over Australia, but most of them are sold. I paint about my Country, and the flowers on the Canning [Stock Route] and the colours are what you see when you’re travelling in the springtime when the flowers are out. I also paint about the Seven Sisters [dreaming].

My father was a painter, but he done oil painting, landscape. My sister Vera, she do dot painting, and I do dot painting too, and my sister Desrae [Anderson] and our brothers. I taught myself. I learned how to mix my colours and match. I like painting about Canning [Stock Route], Seven Sisters Jukurrpa (dreaming), and wildflowers. We tell our stories in the paint.”

 - Roxanne Anderson

 

Born on Barwidgee Station at the first well on the Canning Stock Route near Top Mill, Western Australia, Roxanne Anderson is of the Martu people. Coming from a long line of talented artists, she is experimental in her approach, developing her own style. Working in various colour combinations, Roxanne brings to life the traditional stories of the Martu people which is embedded into the depth and detail of her paintings.

Derby is renowned for being the home of the Boab Tree which symbolises the essence and majesty of the Kimberley Region. Roxanne enjoys bringing these trees to life and interweaving their story with her own. Her work is highly sought after and attracts buyers from Australia and overseas.

Those who visit Derby may have been lucky enough to meet Roxanne. You will know her by her relaxed nature, warm personality and great sense of humour.

Roxanne was selected for The Revealed Exhibition 2015. The Revealed exhibition showcases art by emerging Western Australian Aboriginal artists, across a variety of artistic mediums and with a diverse range of styles.

Roxanne’s ‘Canning Stock Route’ was selected by Headsox Australia. “By purchasing an Aboriginal Desert Art Headsox, you are helping us support Aboriginal Artist’s and their communities.” – Head Sox


© the artist / art centre