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Nyayartakujarra (Lake Dora)

“This one is Nyayartakujarra, Lake Dora. Jila Kujarra (Two Snakes) there, in the lake went in there. They still there, they alive in this kapi (water) here. Everybody see that in the Dreamtime. Punmu road go this side, and in another area sandhills and all the camp. Warnman people walk around, walk around there.  

Old lady standing there at that lake. She got a big stick. She said to those snakes; “Hurry up! Hurry up! They’ll catch you. Get in there!” Mijurtu her name, Warnman lady. She used to live in Juturpa.  

– Jatarr Lily Long

Nyayartakujarra (Lake Dora) is a vast and culturally significant salt lake located in the north east section of the Karlamilyi River region. Surrounding Nyayartakujarra are numerous fresh water soaks and the red tali (sandhills) typical of the area. Punmu Aboriginal Community lies on the eastern edge of the lake.

Nyayartakujarra is an important site in the Jila Kujarra (Two Snakes) Jukurrpa (Dreaming) narrative. Though the story belongs to Warnman people, it is shared across the Western Desert with several other language groups. The narrative centres on the travels of two snakes as they are pursued by the Niminjarra, spiritual ancestors of the Warnman people.

Before transforming themselves into snakes, the Jila Kujarra were young brothers. As snakes, they began travelling home to their mother, but were intercepted by the Niminjarra, who tracked the Jila Kujarra to Paji, east of Nyayartakujarra. Here they eluded the Niminjarra, but the Jila Kujarra were soon after speared and injured at Nyayartakujarra by two Pukurti (initiates with bundled hair), who returned with the Niminjarra to cook the snakes at the site of Kumpupirntily (Kumpupintily, Lake Disappointment). As the Niminjarra cut down the length of the Jila Kujarra, the snake’s bladders were pierced, causing an explosion of scalding hot urine in which the Niminjarra all perished and became black rocks at the site. At the same time, the urine of the Jila Kujarra formed the lake at Kumpupirntily, which translates to ‘bladder burst’. The spirits of the Jila Kujarra returned to their mother at Nyayartakujarra, where the mother and her sons entered the ground below the lake and remain to this day.

Categories: Shire of East Pilbara (Martumili Artists)

Name: Lily Jatarr Long

Language: Ngarnijarra, Warnman

Community: Irrungadji (Nullagine)

Biography:

“This Karlamilyi area, big land. That’s a ngurra (home Country, camp) belonging to our old people, Warnman people. We talk for our land, our jila (snake). I grew up in this Country, my Country. This land belongs to our father. In pujiman (traditional, desert dwelling) days I walked around here, used to walk up and down tuwa (sandhill) and back to the main camp belonging to Martu. We are Warnman ladies, painting Kintyre and Karlamilyi. We can share this Country.”

 - Sisters Wurta Amy French and Jatarr Lily Long

 

Jatarr Lily Long is a Warnman woman and senior custodian for Karlamilyi (Rudall River) Country. She was born in the late 1930s at Jatarrngara, a water source on the Karlamilyi River from which her name is derived. Jatarr is the sister of fellow artists Helen Dale Samson and the late Wurta Amy French. Her father was a drover who attempted, unsuccessfully, to ‘steal’ Jatarr’s mother and take her back to the Kimberley region. 

Jatarr grew up with her family in the area surrounding Tiwa (Canning Stock Route Well 26), a water source located east of Parnngurr Aboriginal Community and just west of a culturally significant group of hills called Partujarrapirri. Her family returned to the Karlamily region for a time, moving between camps located all along the Karlamily River and up to the large salt lake, Nyayartakujarra (Lake Dora). In the late 1940’s her family left Karlamily and travelled on foot for more than 200 kilometres to Jigalong Mission, where a supply of rationed food and water was assured. There they were reunited with family members that had already moved in from the desert. 

At Jigalong, Jatarr lived in a dormitory with her two sisters and went to school. Later, she worked as a cook on various pastoral stations in the Pilbara and mined for tin and other minerals with a yandy (dish used for winnowing seed). Eventually, Jatarr relocated Irrungadji Aboriginal community, just outside of Nullagine, where she continues to live with her sister Wurta, children and grandchildren.

Today Jatarr lives at Irrungadji Community near Nullagine with her children and grandchildren. As an artist, she has always worked with her sisters at her side, and they have frequently collaborated on larger works. In her paintings, Jatarr depicts her ngurra (home Country, camp) and its animals, waterholes, and Jukurrpa (Dreaming) stories. She uses her art as a means of transferring cultural knowledge to her children and grandchildren and as a political platform, protecting her Country from mining and other disruptions. Jatarr is known for her soft pastel palettes and dreamy landscapes, which blend aerial and frontal perspectives. Her work has been widely exhibited in Australia and internationally, and is held in major collections including the National Gallery of Victoria, Art Gallery of Western Australia, and National Museum of Australia.

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