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Puntawarri

Puntawarri is an important cultural area located on the middle stretches of the Canning Stock Route and east of the Jigalong Aboriginal Community. It is also the site of a now abandoned community, and a rockhole, waterhole, creek and lake. Puntawarri’s close proximity to Jigalong Mission (now Jigalong Aboriginal community) made it a popular site for Martu to visit and camp at over weekends during the ‘mission days’. 

For many Martu, Jigalong Mission was the site where their pujiman (traditional, desert dwelling) lifestyle came to an end from the late 1940s as they transitioned to a life as stockmen and women working in cattle stations in the Pilbara region and beyond. In the wake of the extreme and prolonged drought of the 1960s, the last of the remaining pujimanpa (desert dwellers) were forced to move to missions like Jigalong, where a supply of food and water was assured. There, many Martu were reunited with family members that had already moved in from the desert.

The waterhole at Puntawarri is said to be populated by several kinds of ancestral jila (snake), however the site is best known for its association with the Ngayurnangalku, fearsome ancestral cannibal beings. During the Jukurrpa (Dreaming) the Ngayurnangalku came together from all over the desert, first stopping near Puntawarri on their travels to Kumpupirntily (Kumpupintily, Lake Disappointment). At Kumpupirntily, they had a big meeting to debate whether or not they would continue to live as cannibals, and eventually came to the decision to stop eating people. That night, a female baby cannibal was born to the eastern Ngayurnangalku on the red sandhills at Puntawarri, where she continues to live today as the ‘big mummy’ Ngayurnangalku. Following protocol, the baby also had to be consulted by the group. She determined that the Ngayurnangalku should continue to eat people. Her decision divided the group, and from this point the group from the east continued to live as ‘bad’ cannibals at Kumpupirntily, while the group from the west became ‘good’, thereafter consuming only animals.

Name: Sonny Pilkington


Language: Putijarra


Community: Jigalong


Biography:

“I was born in Kununoppin, in the wheatbelt. Left school when I was 15 and worked on cattle stations for 16 years, in the Pilbara, up through the Kimberleys, and back. My Grandfather is from east of Jigalong he didn’t see a whitefella until he was 18.
I started painting out of curiosity at first, and when I finished my first one I realised that I really liked doing it. I get a lot of inspiration from my love for country. I can’t get enough of it sometimes. I’ll be sitting at home and just get up in the car for a cruise, just to see the country. Now I’m up here I like to use earthy colours, colours of country. A lot of my painting is from memory. Been out here many times. Spent a lot of time out on this country. When I come back I want to pull up on the boundary and roll in the dirt. Walk outside, look around, get the colours, I love the colours.”
- Albert Pilkington

Sonny is a Milankga man who speaks Martu Wangka. He was born in Kununoppin, but grew up in Geraldton where he lived with his mother and father. His mother Doris Pilkington was born in Belfour Downs Station and wrote the novel Follow the Rabbit-Proof Fence which the 2002 film Rabbit-Proof Fence was based on.
After leaving school at the age of 15 Albert worked on cattle stations in the north of Western Australia for the next 16 years. He then returned to school as a mature age student, completing a Bachelor of Science at Murdoch University, and his Masters of Applied Epidemiology at the Australian National University in Canberra.

Today, Sonny lives in Newman with his daughter - one of his six children.
While Sonny has only recently begun painting he has found an immediate love for it and is deeply inspired by the colours of his country. When he is not painting, he loves to horse riding or hunting for bush tucker. Bush turkey and goanna are his favourite.


© the artist / art centre