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Nganjirr

Grandfather’s Country, not far from Well 33, called Nganjirr. Not far, [you] can go up by car. Go camping there. When it rains, fills up, then is dry.

Two Countries – Nganjirr and Kun Kun (Kuny-Kuny), Marlene’s Country. [You] can just go out for the day- lovely and quiet. Go hunting and get some jinyjwirrily (wild gooseberry, or desert raisins)”

– Kara Patch

Nganjirr and Kun Kun are both significant parts of Kara’s ‘ngurra’ (home Country, camp). Nganjirr, a grouping of three rockholes just south of Kil-kil (Canning Stock Route Well 36), is an importaint place for the Patch family through two brothers, Nganjirrmarta and Wirrulypa. A large marntila/tarntulu (Acacia pruinocarpa) sitting on rocky outcrop close to Nganjirr is used to locate the rockholes.

Kun Kun (Kuny-kuny) is a soak accessing a large body of underground water, located southeast of Kunawarritji (Canning Stock Route Well 33). The site is sacred for its association with the marlu (kangaroo) Jukurrpa (Dreaming), and was an important ceremonial site during the pujiman (traditional, desert dwelling) period. Soaks, or soakwaters, derive their name from the manner in which their waters generally seep into the sand from below stores, sometimes as part of an ephemeral river or creek. Soaks were an especially important source of water during the pujiman era, being the most dependable water source in times of drought. Water was obtained from soaks by scooping away the sand with a piti (timber bowls used for carrying food and water) until clear water gathered at the base of the hole, sometimes at a depth of several metres.

In the Pujiman time, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and gathering bush tucker as they went. Knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known by name, location, quality and seasonal availability through real life experience and the recounting of Jukurrpa narratives.

Name: Kieren Patch


Language: Manyjilyjarra


Community: Jigalong


Biography:

“I was born in Perth and grew up in Jigalong. I went to school there. Marlene [Anderson] grew me up in Jigalong. I been over there to Jigalong and Wiluna but spent most of the time in Jigalong because I went to school there. Very far to travel but got used to it.
I just paint sometimes, not much. Try do something different. We paint together [herself and sister Kara Patch], we paint the same ones [Nganjir].
We come in, do some work, save up, get some stuff and then go back [to Jigalong].”
-         Kieran Patch

Kieran Patch is a Martumili Artist who frequently visits the Newman art centre together with her family members. She is sister to fellow Martumili artist Kara Patch; when she isn’t painting, Kieran is often working in the Newman art studio as a Martumili Officer, or spending time in the remote community of Jigalong (around 1250 kilometres northeast of Perth).


Kieran’s paintings typically depict areas surrounding Nganjirr and Kun Kun, significant sites within her ngurra (home, Country, camp). Nganjirr is a grouping of three rockholes just south of Kil-kil (Canning Stock Route Well 36), and is an important place for the Patch family through two brothers, Nganjirrmarta and Wirrulypa. A large marntila/tarntulu (Acacia pruinocarpa) sitting on rocky outcrop close to Nganjirr is used to locate the rockholes.


© the artist / art centre