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Milmilngkan

John Mawurndjul and wife Kay Lindjuwanga live at Milmilngkan, near a billabong, and says that underneath the water lies the power of Ngalyod. In this painting, she depicts the power of the place with rarrk (cross-hatching) which contains Mardayin power.

Kay has depicted the Milmilngkan place where Ngalyod (the rainbow serpent) resides under the water. Kuninjku people say there are two Rainbow serpents. One is Yingarna, who is said to have been the original creator of all ancestral beings, the ‘first mother’. Yingarna’s first born is Ngaloyd. Yingarna, or her son Ngalyod, are a common subject on contemporary Kuninjku bark paintings.

Ngalyod is very important in Kuninjku cosmology and is associated with the creation of all sacred sites, djang, in Kuninjku clan lands. For example, ancestral stories relate how creator, or ancestral beings, had travelled across the country and had angered Ngalyod who swallowed them and returned to the earth to create the site. Today, Ngalyod protects these sites, and its power is present in each one.

Ngalyod has both powers of creation and destruction and is most strongly associated with rain, monsoon seasons and rainbows which are a manifestation of Ngalyod’s power and presence. Ngalyod is associated with the destructive power of the storms and with the plenty of the wet season, being both a destroyer and a giver of life. Ngalyod’s power controls the fertility of the country and the seasons.

Name: Kay Lindjuwanga


Language: Kuninjku


Community: Maningrida


Biography:

Kay Lindjuwanga is a Kuninjku artist born in 1956.  Lindjuwanga is the daughter of renowned painter Peter Marralwanga. She was taught to paint by her husband and acclaimed artist, John Mawurndjul. Lindjuwanga has often assisted Mawurndjul with his painting. In the early 1990’s, she was  among the first Kuninjku women to paint on bark.  As well as bark paintings, her repertoire includes lorrkon (hollow logs), mimih carvings and etchings. She had her first solo show in 2004 at Aboriginal & Pacific Arts in Sydney and her work was included in the landmark exhibition Crossing Country at the Art Gallery of New South Wales.  In 2004 she won the Telstra Bark Painting Award.

Throughout the last two decades  Lindjuwanga has gained critical acclaim for her work seeing it shown internationally, presented by many galleries such as La Fontaine Centre of Contemporary  Art, Kingdom of Bahrain, Rebecca Hossack Gallery, UK, the African Muse Gallery, France and Bargehouse Gallery, UK. 

Over the years Lingjuwanga’s work has been presented nationally by William Mora, Annandale Galleries and most recently by Paul Johnston Gallery, Darwin.

Her work is held in a number of public and private collections, including the National Gallery of Victoria, National Gallery of Australia, Art Gallery of South Australia and the Macquarie Bank Art Collection.


© the artist / art centre