111982003985

Published by on



Wak Wak

This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida.

The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form of a rock, which is permanently submerged at the bottom of Kurrurldul Creek. The ‘Djimarr’ rock in the stream at Kurrurldul is said to move around and call out in a soft hooting tone at night. Both the stone itself and the area around it are considered sacred.

The imagery represents the rock mentioned above at the bottom of Kurrurldul creek, which is the final transmutation of the dreaming ancestor ‘Djimarr’. Finally, the pattern used here is also the crow design used in the sacred ‘Mardayin’ ceremony, which is a large regional patri-moiety ceremony now rarely conducted in central and eastern Arnhem Land.

Name: Deborah Wurrkidj


Language: Kuninjku


Community: Maningrida


Biography:

Deborah Wurrkidj was born in 1971 at Maningrida in north-central Arnhem Land. Her language is Kuninjku and her moiety is Duwa. Deborah is well known for her fibre weaving, bark painting, woodcarving and printmaking.

Deborah is a versatile artist who has readily adapted to new art forms while retaining strong clan traditions. Her work is tactile and intricate and illustrates the artistic innovation that has occurred in Maningrida over the last 30 years.

Alongside her highly regarded fine art practice Deborah, with her mother, Helen Lanyinwanga, and sister Jennifer Wurrkidj has been working at Bábbarra Designs since 1991. She is a leading textile artist and an integral member of Bábbarra Women’s Centre.

 

Deborah has exhibited nationally including the 19th Telstra National Aboriginal & Torres Strait Islander Art Award in 2002 and is represented in a number of state and private collections.

 


© the artist / art centre