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Mat

Mats can vary greatly. Artists commonly use a mix of naturally dyed and undyed fibre to create a striking variation of coloured bands. Some artists also incorporate different types of looping to produce different patterns and textured finishes. Each type of mat, fibre bag, basket and dilly bag has its own name in the various languages spoken in the Maningrida region.

Name: Winnie Mason


Language: Burarra


Community: Maningrida


Biography:

Winnie is a senior weaver and Burarra speaker, one of the east-side language groups who specialise in the customary conical dilly bags, woven string bags and mats. Winnie also creates 2D sculptures of animals including barramundi and stingrays.
 

As has been done for generations, Winnie uses gun-menama (pandanus spiralis) to create her works. To prepare the pandanus the inner leaves of the plant are collected using a hook. Each V-shaped leaf is first split in half along its spine. After removing the sharp spines, the two surfaces of the leaf are then split away from other. After this preparation, the pandanus is boiled in a billycan with plant materials to dye the fibre. Like her contemporaries Winnie uses natural dyes to create extraordinary variation in hues and tones. Common colours in her work include:

barra gu-jirra: the soft, white and fleshy end of the pandanus leaf imparts green to the fibre.

-  mun-gumurduk/ gala (Pogonolobus reticulatus): a bright yellow root that is crushed and put in a billycan with the fibre and boiled. It creates yellow when boiled once and deep orange hues when boiled multiple times.

ngalpur (Haemodorum brevicaule): a bright red root which yields a range of purply red to brown colours.

Baluk: ashes of certain plants are added to the boiling billycan with the fibre and dye plants to alter the colour that is imparted to the fibre. The fruiting body of gulpiny (Banksia denanta) is burnt and the ashes added to other day plants to make the colour pink. 

 


© the artist / art centre