111982199247

Published by on



Yawkyawk (Ngalkunburriyaymi)

This is a painting of Ngalkunburriyaymi, the fish-women spirit. The water spirits Yawkyawk or Ngalkunburriyaymi are perhaps the most enigmatic. Sometimes compared to the European notion of mermaids, they exist as spiritual beings living in freshwater streams, particularly those in the stone country. The spirit Yawkyawk are usually describe and depicted with the tails of fish, as in this painting. Thus the Kununjku people sometime call them ngalberddjenj which literally means ‘the woman who has a tail like a fish’. They have long hair which is associated with trailing blooms of green algae (called man-bak in Kuninjku) found in freshwater streams and rock pools. At times they leave their aquatic homes to walk about on dry land, particularly at night.

Aboriginal people believe that at one time all animals were humans. During the time of the creation of landscapes and plants and animals, these ancestors heroes in human form changed into their animal forms via a series of various significant events now recorded as oral mythologies. 

Today the Kuninjku believe that ngalkunburriyaymi are alive and well and living in freshwater sites in a number of sacred locations. The Kuninjku also believe that ‘clever’ man (magicians with mystical powers called in Kuninjku na-kordang) may take these spirits as wives. The father of Mandarrk, a well known artist who resided in the Central Arnhem area, is said to have had such a spirit as a wife. Unfortunately, it is said, she failed one day to return from being sent to fetch water from the river, and returned to her kin. The ngalkunburriyaymi also have husbands and children of their own kind. Their sites are usually shared with the rainbow serpent ngalyodSome have ritual importance, for example in some depictions, the yawkyawk spirit holds ceremonial string, just like the lengths of string women hold between both hands today during certain public ceremonies. 

There are at least three major ngalkunburriyaymi sacred sites that are well known in the area south and south-west of Maningrida. One site Bolerrhlerr is on the Mann River at a place near Yikarrakkal Outstation where the Mann River has rugged rocky banks and clefts beneath stone overhangs in the water. The yawkyawk in this painting refers to this site. Another very similar site further west in the Kumadderr River district is surrounded by a number of small but very old rock art sites and has become known in English as ‘Dreaming Lady’. A third site is a major yawkyawk dreaming place which is so significant that the traditional clan custodians have set up an outstation community near the site the identify of this group is very much related to their yawkyawk dreaming for which they have spiritual and practical responsibility. This group, known as the Dangkorlo clan, are well known for their bark paintings and sculptures of yawkyawk. Both of Kubarkku’s wives are members of the Dangkorlo clan.

Name: Paul Nabulumo Namarinjmak


Language: Kuninjku


Community: Maningrida


Biography:

Kuninjku artist Paul Nabulumo is a painter and sculptor. He is the son of acclaimed artist, Mick Kubarkku (1925 - 2008), who was known for his painting of dirdbim (moon, sun and stars) and the associated site on his Kulmarru clan estate. Nabulumo learned under his guidance, watching him paint on rock surfaces and bark paintings as a young man. The artist continues to paint the iconic imagery handed down from his father, including Ngalyod (Rainbow Serpent), mimih (rock country spirit), yawkyawk (female water spirits), Kubumi (waterholes) and djulng (Ancestral bones).  Nabulumo maintains strong connection to his heritage, living and working at Yikkarrakkal Outstation which sits adjacent to the dirdbim and kubumi djang (Ancestral) sites* . However, he has developed his own distinct aesthetic, characterised by striking combinations of fine and elegant rarrk, figurative elements and bold negative space. 

Nabulumo began exhibiting in 2000, participating in his first group show at Aboriginal Art & Pacific (Sydney).  His work was included in the historic exhibition <<rark>> at the Bargehouse in London in 2007. His work was also selected for the 23rd and 28th Telstra National & Torres Strait Islander Art Award Exhibitions. Nabulumo  has shown both locally and  internationally at highly regarded  commercial spaces such as Josh Lilley Fine Art (UK),  Gallery Gabrielle Pizzi (Melbourne), Annandale Galleries (Sydney), Paul Johnstone Gallery (Darwin), Outstation Gallery (Darwin), Art Kelch (Freiburg) and most recently Michael Reid (Sydney). The artist’s work can be found in various collection including that of the National Gallery of Australia and the Museum of Victoria.

 

* “Dirdbim literally means 'image of the moon'. The site is a large unusually round hole in a sandstone residual on the plain not far from the Mann River. The large hole is said to be the full moon created by ngalyod who pierced the rock in times of the 'Dreaming' and left the shape of the full moon. 

Kubumi is a sacred site on the Mann River consisting of a series of deep waterholes connected by underground tunnels. Ngalyod pierced the rock to create these waterholes and now lives in the rocky riverbed.

 


© the artist / art centre