111982222353

Published by CompNet Systems on



Birlmu or Namarnkorl (Barramundi)

It is well known that Aboriginal art often depicts images of sacred totems or dreamings of Aboriginal culture. However, the world of the non-sacred also provides a rich source of subject matter for Aboriginal art. Much of the rock art of western Arnhem Land for example features secular topics such as common food animals and plants, depicted because of their economic importance but also merely because of their existence in the environment. The artist has painted ‘birlmu’ or ‘namarnkorl’ (Barramundi [Lates calcarifer]). During the dry season the barramundi is an important food source for inland Aboriginal people. These fish are caught throughout the artist’s clan estate, either in fishtraps woven from pandanus or sedge grass, or else hunted with spears and fishing lines in billabongs and streams where they shelter from the sun under fallen logs or amongst the leaves of water plants.

Name: Gloreen Campion


Language: Rembarrnga


Community: Maningrida


Biography:

Gloreen Campion is a Rembarrnga artist from Malnyangarnak outstation, about a two and half hour drive from Maningrida township. She predominately resides at Ankabadbirri outstation with her husband Hedley Brain.

She is the daughter of acclaimed artist Wally Lipuwanga and is know for her 3D woven fibre art depicting yok (bandicoot), djamo (dogs) and galawan (goanna). She has previously worked at the women's centre at Buluhkaduru Outstation.


© the artist / art centre