111982275975

Published by on



Lorrkon (Hollow Log)

The Lorrkon or bone pole coffin ceremony was the final ceremony in a sequence of mortuary rituals celebrated by the people of Arnhem Land. This ceremony involves the placing of the deceased’s bones into a hollow log which was decorated with painted clan designs and ceremonially placed into the ground where it remained until it slowly decayed over many years.

The log is made from a termite hollowed Stringybark tree (Eucalyptus tetradonta) and is decorated with totemic emblems. The western Arnhem Land version of the Lorrkon ceremony involves the singing of sacred songs to the accompaniment of karlikarli, a pair of sacred boomerangs used as rhythm instruments. During the final evening of the ceremony, dancers decorate themselves with kapok down, or today, cotton wool and conduct much of the final segments of the ceremony in the secrecy of a restricted mens’ camp. The complete ceremony may stretch over a period of two weeks, but on the last night the bones of the deceased, which have been kept in a bark container or today wrapped in cloth and kept in a suitcase are taken out, are painted with red ochre and placed inside the hollow log. This ceremony may take place many years after the person has died.

At first light on the final morning of the Lorrkon ceremony, the men appear, coming out of their secret bush camp carrying the pole towards the women’s camp. The two groups call to each other using distinct ceremonial calls. The women have prepared a hole for the pole to be placed into and when it is stood upright, women in particular kinship relationships to the deceased dance around the pole in a jumping/shuffling motion. The Lorrkon is then often covered with a tarpaulin and left to slowly decay.

Name: Melba Gunjarrwanga


Language: Kuninjku


Community: Maningrida


Biography:

Kuninjku artist, Melba Gunjarrwanga, was born in 1959 at Maningrida in the Northern Territory. Melba is a skilled printmaker, sculptor, weaver and bark painter represented by both the Bábbarra Women’s Centre and Maningrida Arts and Culture.

Over the last decade, Melba has taken part in multiple group exhibition across Australia and the world and her works have been presented by Maningrida Arts and Culture and within their collective shows. Her work is also held in the collections of Art Gallery of Western Australia, Museum of Contemporary Art, Museum of Victoria and National Gallery of Australia and The Australian National University Collection. Melba has also featured as one of the emerging artists in a group exhibition, Báb-barra: Women’s Printing Culture at The Cross Art Projects (2017) 


© the artist / art centre