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Published by CompNet Systems on

Kunkurra (The Spiralling Wind)

‘Kunkurra’, the spiralling wind is associated with several sites in the Kardbam clan estate. On one level, this painting can be interpreted as a depiction of the kinds of mini-cyclones common during the wet season in Arnhem Land, where the artist lives. In this painting, Kunkurra also relates specifically to a site called Bilwoyinj, near Mankorlod.

At this site, two of the most important Kuninjku creation beings, a father and son known as na-korrkko, are believed to have hunted and eaten a goanna. They left some of the goanna fat behind at the site, which turned into the rock that still stands there today. The word Bilwoyinj, which is the name of this site, also refers to the fat of the goanna. Bilwoyinj site is also a ceremonial ground for a ceremony called Yabbaduruwa, a major ceremony owned by the Yirridja patrimoiety. The Yabbaduruwa ceremony is primarily concerned with initiation, land ownership and promoting the cyclical regeneration of the human and natural worlds.

Categories: Maningrida Arts & Culture

Name: Kenan Namunjdja

Language: Kuninjku

Community: Maningrida

Biography:

Kenan Namunjdja is the eldest son of artists Bulanj (1965-2018) and Deborah Yulidjirri.  Trained by his father who was nationally and internationally recognised for his particularly fine rarrk and depiction of the kunkurra (spiralling wind).  His grandfather, Peter Marralwanga (1916-1987), was also a much celebrated bark painter and a leader in the 1970's Outstation movement. Kenan continues this strong legacy, through his exceptionally fine mark-making in depicting the djang of his country, Mankorlod.

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