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Warraburnburn

In Burarra and Gun-nartpa languages the figure represented in this artwork is generally known as a wangarra ‘ghost spirit’. For the Warrawarra clan ghost spirits have their own particular characteristics and their own name – Warraburnburn.

The Warraburnburn and the closely related Galabarrbarr spirit (owned by the Balkarranga clan) are also manikay song topics.  The spirits are related to each other as maternal grandparent and grandchild, just as the people of Warrawarra and Balkarranga are. The dancing of the two ghost spirit figures forms the finale performance for funerals, and is the final goodbye to a deceased family member.

In many ways the Warraburnburn and Galabarrbarr ghost spirits are like people. They emerge from the patches of jungle on Warrawarra and Balkarranga country in the late afternoon and go hunting in family groups of men, women and children. They stay in contact with each other by calling out as the men hunt for fish and the women walk with their dillybags looking for vegetable food. 

The ghost spirits are associated closely with white ochre and artists commonly paint the bodies of carved figures in white. Different types of ghost spirit wear different patterns. Warraburnburn is decorated with uniform white dots while others are painted white all over. Some ghost spirits are shown with a design painted on their chest infilled with rarrk ‘cross-hatching’, the same designs that are painted onto japi an-guyinda ‘male initiations’. 

They also have supernatural characteristics including superhuman size (jarra anbaykarda ‘super tall’). They know the country intimately – some are malevolent towards humans and will lead people astray, taking them to unfamiliar and dangerous places. These malevolent spirits are likened to an-muburda ‘sorcerers’ and can conduct dangerous rituals that cause harm to people. Others are benign and will lead humans back to familiar paths and their own camps.

 

Name: Jeremiah Bonson


Language: Djinang (Murrungun)


Community: Elcho Island


Biography:

Jeremiah Bonson is a Djinaŋ/Marung artist. He was born in Darwin but raised at the outstation Gamurra-Gu-yurra, his mother Matilda Pascoe's country. Jeremiah and his wife lived in Galiwinku but moved to Maningrida in 2021 with their small family. Jeremiah is a dancer, musician (he plays the yidaki or didgeridoo), painter and sculptor. Although an emerging artist, he was taught his traditional culture and traditional song line (bourgur) by his adoptive father Jimmy. His practice is informed by a culture thousands of years old.

Warrah Bun Bun 2010 is a stunning group of eight mimi spirits or Mokuy who belong to his mother’s dreaming; they are her totem and come from her country of Gamurra-Gu-yurra. These spirits sleep during the day and can only be seen at night when they come out to hunt, dance, sing, laugh and play. They are tall and skinny and jubilantly gather water and hunt for food (natha) at local billabongs—their favourite food is the yam. But, although they are happy, joyful spirits, they will take you away if you get too close. When they dance, they are covered with white clay, which Bonson represents in his sculptures by the white dots. He skillfully captures the playful spirit of these mimi, making them distinctly his own with their armless, slender bodies and friendly faces.

Warrah Bun Bun wonderfully complements the Gallery’s collection of works by artists from Galiwin’ku and is the first work of art by Bonson to be acquired by the National Gallery of Australia.

Tina Baum
Curator, Aboriginal and Torres Strait Islander Art
in artonview, issue 63, spring 2010

 


© the artist / art centre