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Coil Basket

Coil basketry is a well-established fibre art form in the Maningrida region, especially for women from the Kuninjku, Rembarrnga, Ndjebbana and Nakkara language groups. 

Artists make coiled baskets of many shapes and sizes, ranging from small round baskets to large oval baby baskets, and made mostly from pandanus fibre that is dyed with natural pigments. Bundles of fibre are formed into coils which are covered and stitched together with strands of fibre threaded onto a needle. Artists combine colours and patterns to obtain intricate new graphic patterns.

These techniques are believed to have been introduced to Arnhem Land by Greta Matthews, a missionary on Goulburn Island in the 1920s. She had probably learnt coil basketry from Aboriginal people in the south-east of Australia, possibly the Murray River people such as the Yorta Yorta or the coastal Ngarrindjeri. 

The coiling technique spread quickly from Goulburn Island to people on mainland Arnhem Land. 

 

 

Name: Samantha Malkudja


Language: Kuninjku


Community: Maningrida


Biography:

Samantha Malkadja learned to weave from her mother Frewa Bardaluna, a master fibre artist who had numerous exhibitions with leading Australian commercial galleries.  Samantha’s work is distinguished by her soft tonal range, strong sense of design and intricate technique. Samantha makes panels and 2D sculptures which depict local fish and animal species and often yawkyawks, female water spirits.

Samantha predominately uses gun-menama (pandanus spiralis) in her works. To prepare the pandanus the inner leaves of the plant are collected using a hook. Each V-shaped leaf is first split in half along its spine. After removing the sharp spines, the two surfaces of the leaf are then split away from other. After this preparation, the pandanus is boiled in a billycan with plant materials to dye the fibre. Like her contemporaries, Samantha only uses natural dyes and achieves enormous variation. 

 


© the artist / art centre