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Coil Basket

Coil basketry is a well-established fibre art form in the Maningrida region, especially for women from the Kuninjku, Rembarrnga, Ndjebbana and Nakkara language groups. 

Artists make coiled baskets of many shapes and sizes, ranging from small round baskets to large oval baby baskets, and made mostly from pandanus fibre that is dyed with natural pigments. Bundles of fibre are formed into coils which are covered and stitched together with strands of fibre threaded onto a needle. Artists combine colours and patterns to obtain intricate new graphic patterns.

These techniques are believed to have been introduced to Arnhem Land by Greta Matthews, a missionary on Goulburn Island in the 1920s. She had probably learnt coil basketry from Aboriginal people in the south-east of Australia, possibly the Murray River people such as the Yorta Yorta or the coastal Ngarrindjeri. 

The coiling technique spread quickly from Goulburn Island to people on mainland Arnhem Land. 

 

 

Name: Vera Cameron


Language: Rembarrnga


Community: Maningrida


Biography:

 Ngarrichan Vera Cameron (b. 1969) lives and works at Ankabarrbirri outstation with her partner Balang David Brian. Her mother’s country is Malnjangarnak (Rembarrnga) and her father’s country is Kakodbabuldi (Kuninjku). She strongly identifies with Rembarrnga and Kune cultures from her first husband, renowned artist, Wally Lipuwanga.

Ngarrichan is an accomplished fibre artist, specialising in 2D and 3D sculptures of animals and ancestral beings. She also makes string bags, dilly bags and baskets. She works with a range of natural materials and is recognised for her use of vibrant natural dyes. Her partner, David Brian's, grandmother and Lena Yarinkura’s mother, Lena Djamarrayku, taught her to weave.

 

 


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