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Djomi

Djomi is a freshwater spring surrounded by jungle at the mouth of the Liverpool River. It is a major sacred site with extensive mythological significance for the Kunibidji people. Water spirits, or mermaids, live in the freshwater spring. They are associated with djabayena, the sawfish, and sometimes are depicted as the sawfish itself or as a woman with the sawfish’s tail. 

The Djomi site is linked to dreaming paths which extend east along the coast as far as Milingimbi and Ramingining. Mermaid sites are found in both saltwater and freshwater country, and freshwater and saltwater clans who own separate mermaid sites are linked in myth by stories of a mermaid spirit swimming up from the sea to the freshwater. The Kunibidji have close kinship and ceremonial ties with the Eastern Kunwinjku who own Mermaid Dreaming sites in the freshwater country upstream from Djomi. 

Small streams from the Djomi site carry fresh water into the mouth of the Liverpool River. In many paintings of Djomi these streams are shown and it is believed that all watercourses in the Maningrida district are controlled by the power of the Djomi sacred site. Djomi is seen as a metaphor for the cultural network of the Maningrida area, and so gives its name to the Maningrida Museum, the community’s cultural keeping place. 

 

Text courtesy of the Djomi Museum, Maningrida. 

Name: Cameron Kawurlkku


Language: Ndjébbana, Kuninjku


Community: Maningrida


Biography:

Cameron Kawurlkku is an emerging Kuninjku artist from Maningrida, Northern Territory. He is the son of senior artist Stephen Kawurlkku, a founding Maningrida artist whose work is held in the locally owned Djomi Museum collection.

Inspired by his father’s legacy and the strength of his family’s artistic tradition, Cameron began carving and painting as a way of honouring and continuing this cultural lineage. He learned alongside his sister and brother, developing his skills through close family mentorship and shared practice.

Working across bark painting and sculpture, Cameron has developed a highly defined and recognisable style. His practice is distinguished by whimsical figurative depictions of Djomi and compelling abstract compositions that combine exceptionally fine rarrk with intricate dotting. His work reflects deep cultural grounding alongside a clear commitment to innovation within the sculptural and bark painting traditions of Maningrida.

 

 


© the artist / art centre