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Kungkarrangkalpa (Seven Sisters)

‘Kungkarrangkalpa’ (The Seven Sisters or Pleaides) is significant Tjukurrpa (dreamtime). Its origins you may be familiar with in astronomy and its connection to ‘Wati Nyiru’ (Magic Man or Orion).  The roots of this dreaming stems across indigenous groups around the world. The Australian Aboriginal songline is one part to the whole dreaming which can be traced all around the world. The ladies of the Ngaanyatjarra Lands depict their significant chapter and understanding of the journey of the sisters. The different versions of this story depend on where you live and the significance’s of local Tjukurrpa places.

Nyiru fell in love with the sisters but he was of the wrong skin group to marry, but he still pursued them on their journey. The sisters travel across the land to escape Nyiru’s unwanted attentions, but he is persistent and always finds them. There are significant land forms which can be sited today that evidence this dreaming. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarrpa (bush tomato) and the most beautiful Yirli (wild fig tree), for them to eat and camp under. However, the sisters are knowledgeable of his magic and too clever for Nyiru who they outwit again and again. They go hungry and run through the night rather than be caught by him. As the journey continues, Nyiru gets so frustrated at the wit of the sisters that he uses his magic to make the oldest sister sick to try and get closer to her. The other sisters rescue the big sister and nurse her back to health. It is said he also captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually, the sisters fly into the sky to escape Nyiru, forming the constellation. Nyiru felt lonely, longing for the sisters who were so far away. Nyiru used his magic to go to the sky, forever in pursuit.

Categories: Papulankutja Artists

Name: Anawari Mitchell


Language: Pitjantjatjara, Ngaanyatjarra


Community: Papulankutja (Blackstone)


Biography:

Anawari grew up at the Warburton Mission to attend school like many other kids from across the Ngaanyatjarra Lands at the time.

Anawari was an advocate for the Blackstone Women's Centre when it first opened and became the manager. The women enjoyed learning craft techniques in making tie-dyed shirts, batik, lino and silk-screen printing, making spinifex paper and jewellery using nuts from the local flora. 

Anawari participated in the first tjanpi (grass) weaving workshop at Papulankutja (Blackstone) in 1995.

Anawari is an important spokesperson for her community and is on the Papulankutja Artists board as well as working closely with the NPY women's council and Ngaanyatjarra Land and Culture at Papulankutja. Her grandmothers country is Kuru Ala, a very important site for the Kungkarrangkalpa (Seven Sisters) Tjukurrpa (dreaming story). Anawari paints stories of when the sisters travelled and camped at Kulyuru east of Blackstone and Kuru Ala which is a sacred women's' ceremonial site where young girls are initiated and taught about womanhood.


© the artist / art centre