Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.
Nowadays, artists weave many different shapes including flat, round and oblong.
Name: Shannon Ashley
Language: Wagilak
Biography:
Djarrak's mari (mothers mother) was one of the first recognised female painters of the Ramingining community. Today, the early career talent paints alongside both her mother and her grandmother.
Shannon also speaks of fond memories of herself as a little girl watching her uncle, the late great artist Djardie Ashley, put pigment down on bark.
“He is my uncle, and he grew me up. Painting and making art reminds me of him. He is always in my heart, forever.”
Shannon’s own art practice certainly reflects these robust artistic roots. Her paintings on canvas are a true feast for the eyes, their intricate details wrought by a confident young hand. Abstracted patterns and crosshatching techniques in a palette of earth and sky are striking to behold, reflecting her Yolngu stories in a dynamic, visually vibrant way.
Shannon is constantly inspired by these deep connections to family, Country and culture. “My family have three different countries; one place we call that area Luthunbarr,” she says.
“It’s a very beautiful Country, it’s Yolngu Country. We have everything there like trees, we go fishing, hunting for seafood like mud crab, long necked turtle and oysters.”
Through her practice, Shannon honours and respects the ancient knowledge and traditions that govern Yolngu culture. Painting stories that her family have given permission to paint and learning about Yolngu culture so if they pass away, Shannon can follow in their footsteps.
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