115682282685

Published by CompNet Systems on



Baru Dhawu (Crocodile Story)

Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to kill and eat these other people. After a while others noticed that some people were missing. When Baru went to the toilet, the people could smell this strong smell, so they knew that he ate the other people. Some men went to get help and they took message sticks to the other tribes. Some were sending smoke signals. When they came to Baru’s camp they started to spear him in the left side of his ribs. He dropped into the fire and burnt his left hand and maybe his right hand. He then ran into the bush and yelled to his countrymen – the animals, birds and fish that live on the land and in the sea. He stopped and he named the tribes and clans and also the places until he came to a place called Gamarru/Guyurru. There he took a rest and said to himself “This is where I stop and call this place Gamarru/Guyurru”. Baru, still in pain from the fire, then jumped into the water and turned himself into a crocodile. The fire left scars on his back. Baru paintings belong to Gumatj and Warrawarra and also the Marpi clan. This painting is used at death ceremonies or initiations and it normally is painted on the belly, which means the person the design is painted on is part of Gurdu Gurdu (the crocodile people).

Categories: Bula'bula Arts

Name: Joy Borruwa


Language: Djambarrpuyungu


Community: Ramingining


Biography:

Joy Borruwa is an emerging artist who began her journey as a fibre artist before transitioning to painting in 2019. Alongside her seven siblings, Joy learned painting from her mother, Dorothy Djukulul, an esteemed artist and one of the first recognised female painters in Ramingining. While Joy always had an interest in painting, it was the artistic influence of her first husband, Bobby Bununggurr, that encouraged her to pursue and develop her artistic practice. 

“I saw my first husband, Bobby, I saw him paint and I thought, how can I paint that? So, with mum, I learn how to paint. I just want to tell the story of my mum’s totem.”

Demonstrating the power of generational teaching, Joy paints the totems of her mother and uncle, George Milpurrurru, instead of her own. Now, she paints daily. Joined by her sisters, Dorothy, Joy, and Evonne, and children Selena, Angela, and Andrew who is the Chair for Bula’bula arts.


© the artist / art centre