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Dhawurr or Batjbarra (Fish Trap)

Dhawurr, or Batjbarra, is a traditional fishing method used by Indigenous people in the Arafura Swamp and surrounding wetlands of Arnhem Land. Yolŋu now prefer the modern fishing methods of reels and bait, however, weavers continue to make Batjbarra for cultural conservation and to be sold as decorative pieces.

When used for practical purposes, the Batjbarra was placed into the river with the opening facing oncoming fish. The woven tunnel trapped the fish with the weave tight enough to prevent escape but loose enough to allow water to freely flow through. The traps tapered so that when they were submerged, the water pressure wedged them into place.

The primary material used in this piece is the young, green leaves of the Pandanus spiralis tree, that were harvested using a long wooden hook. The leaves are stripped of their prickles, with the smaller fibres being dried to produce a strong, resilient material. These fibres are then twisted, coiled, or combined using various techniques to create the fish trap.

Bula’bula weavers exclusively use natural dyes, derived from locally sourced roots, leaves and grasses. These pigments are extracted and infused into pandanus fibres by boiling over an open fire, producing the rich, vibrant colours characteristic of contemporary Yolŋu weavings.

Categories: Bula'bula Arts

Name: Evonne Munuyngu


Language: Mandhalpuy


Community: Ramingining


Biography:

Evonne Munuyngu was born at Mirrngatja Outstation on the Eastern edge of the Arafura Swamp, later moving to Galiwin’ku for schooling. Munuyngu was taught to weave by her mother and other family and would often collect pandanus on her way home from school to practice.

Evonne attended Shepherdson College on Galiwin’ku (Elcho Island) before marrying and moving to Gapuwiyak (Lake Evella) with her husband (dec.). It was here that Evonne began working at the local shop and later as a cleaner at the school. After the death of her husband, Evonne moved to Ramingining to be close to her family.

Since 2003, Munuyngu’s dilly bags, woven mats, and balgurr string bags have been featured in several group exhibitions throughout Australia, cementing her position as a talented and passionate artist. Evonne collects pandanus and weaves daily alongside her sister, Master Weaver Mary Dhapalany, and extended family at Bula’bula Arts.


© the artist / art centre