115682364290

Published by CompNet Systems on



Woven Sculpture (Fan)

Yolŋu weavers of Arnhem Land craft both utilitarian and ceremonial objects using naturally sourced materials, with more recent works also including decorative pieces. The choice of fibre depends on the intended function of each piece.

One of the primary materials is the young, green leaves of the Pandanus spiralis tree, harvested with a long hook. The leaves are stripped of their prickles, and the smaller fibres are dried to produce a strong, resilient material. These fibres can be twisted, coiled, or combined using various techniques to create baskets (Bathi), dillybags (Mindirr), and mats—both in the modern flat style and the traditional conical style (Nganiyal).

For more flexible, open-weave designs, weavers use the bark of the kurrajong tree. This material is particularly suited for dillybags (Mindirr) and ceremonial objects, such as Matjka (body adornments) and Malka (headwear).

Bula’bula weavers exclusively use natural dyes, derived from locally sourced roots, leaves and grasses. These pigments are extracted and infused into pandanus fibres by boiling over an open fire, producing the rich, vibrant colours characteristic of contemporary Yolŋu weavings.

Categories: Bula'bula Arts

Name: Mary Dhapalany (1)


Language: Mandhalpuy


Community: Ramingining


Biography:

Mary is a proud Mandhalpuy woman has been a practicing artist for four decades, and her weaving artwork is representative of traditional craft passed down through generations of women weavers in her family. The 70-year-old artist uses natural dyes, extracted from earth pigment or plant roots, to colour the pandanus leaf (gunga) used in her work. Mary is considered a master weaver in Arnhem Land. Due to her career and accolades, she has made Yolngu weaving visible.

Mary’s weavings are much sought after and she was recently invited to represent Australia in the Aichi Triennale, Japan and in Craft Masters Asia Pacific Program, China. Her pieces are in the following collections; National Gallery of Victoria, Melbourne, Chicago School of Business, Artbank, Sydney, University of Sydney and Janet Holmes a’ Court Collection. Mary was part of the team who won the National Indigenous Fashion Award for her collaboration with MAARA designer Julie Shaw. Mary was the recent recipient of the World Crafts Council Asia Pacific Region Craft Master Award in 2023.


© the artist / art centre