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Dhawurr or Batjbarra (Fish Trap)

Dhawurr, or Batjbarra, is a traditional fishing method used by Indigenous people in the Arafura Swamp and surrounding wetlands of Arnhem Land. Yolŋu now prefer the modern fishing methods of reels and bait, however, weavers continue to make Batjbarra for cultural conservation and to be sold as decorative pieces.

When used for practical purposes, the Batjbarra was placed into the river with the opening facing oncoming fish. The woven tunnel trapped the fish with the weave tight enough to prevent escape but loose enough to allow water to freely flow through. The traps tapered so that when they were submerged, the water pressure wedged them into place.

The primary material used in this piece is the young, green leaves of the Pandanus spiralis tree, that were harvested using a long wooden hook. The leaves are stripped of their prickles, with the smaller fibres being dried to produce a strong, resilient material. These fibres are then twisted, coiled, or combined using various techniques to create the fish trap.

Bula’bula weavers exclusively use natural dyes, derived from locally sourced roots, leaves and grasses. These pigments are extracted and infused into pandanus fibres by boiling over an open fire, producing the rich, vibrant colours characteristic of contemporary Yolŋu weavings.

Categories: Bula'bula Arts

Name: Cecilie Djalarrnami Mopbarrmbrr


Language: Marrangu


Community: Ramingining


Biography:

Cecilie is an early career fibre artist whose work mostly comprises of woven mats. She has an eye for subtle detail makes her pieces striking and immensely popular. 

Cecilie grew up surrounded by strong, accomplished weavers. She learnt to weave from her mother, Joy Gadawarr, her aunties Evonne Munuyngu and Mary Dhapalany, and continues to weave alongside her sister, Melinda Gedjen. Cecilie continues to learn from the older women and pass this knowledge onto her daughter, whom she is currently teaching.

Cecilie's totems are Sugarbag and Mewal.


© the artist / art centre