115682376014

Published by CompNet Systems on



Woven Sculpture (Fan)

Yolŋu weavers of Arnhem Land craft both utilitarian and ceremonial objects using naturally sourced materials, with more recent works also including decorative pieces. The choice of fibre depends on the intended function of each piece.

One of the primary materials is the young, green leaves of the Pandanus spiralis tree, harvested with a long hook. The leaves are stripped of their prickles, and the smaller fibres are dried to produce a strong, resilient material. These fibres can be twisted, coiled, or combined using various techniques to create baskets (Bathi), dillybags (Mindirr), and mats—both in the modern flat style and the traditional conical style (Nganiyal).

For more flexible, open-weave designs, weavers use the bark of the kurrajong tree. This material is particularly suited for dillybags (Mindirr) and ceremonial objects, such as Matjka (body adornments) and Malka (headwear).

Bula’bula weavers exclusively use natural dyes, derived from locally sourced roots, leaves and grasses. These pigments are extracted and infused into pandanus fibres by boiling over an open fire, producing the rich, vibrant colours characteristic of contemporary Yolŋu weavings.

Categories: Bula'bula Arts

Name: Cecilie Djalarrnami Mopbarrmbrr


Language: Marrangu


Community: Ramingining


Biography:

Cecilie is an early career fibre artist whose work mostly comprises of woven mats. She has an eye for subtle detail makes her pieces striking and immensely popular. 

Cecilie grew up surrounded by strong, accomplished weavers. She learnt to weave from her mother, Joy Gadawarr, her aunties Evonne Munuyngu and Mary Dhapalany, and continues to weave alongside her sister, Melinda Gedjen. Cecilie continues to learn from the older women and pass this knowledge onto her daughter, whom she is currently teaching.

Cecilie's totems are Sugarbag and Mewal.


© the artist / art centre