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Woven Sculpture (Catfish)

Yolŋu weavers of Arnhem Land craft both utilitarian and ceremonial objects using naturally sourced materials, with more recent works also including decorative pieces. The choice of fibre depends on the intended function of each piece.

One of the primary materials is the young, green leaves of the Pandanus spiralis tree, harvested with a long hook. The leaves are stripped of their prickles, and the smaller fibres are dried to produce a strong, resilient material. These fibres can be twisted, coiled, or combined using various techniques to create baskets (Bathi), dillybags (Mindirr), and mats—both in the modern flat style and the traditional conical style (Nganiyal).

For more flexible, open-weave designs, weavers use the bark of the kurrajong tree. This material is particularly suited for dillybags (Mindirr) and ceremonial objects, such as Matjka (body adornments) and Malka (headwear).

Bula’bula weavers exclusively use natural dyes, derived from locally sourced roots, leaves and grasses. These pigments are extracted and infused into pandanus fibres by boiling over an open fire, producing the rich, vibrant colours characteristic of contemporary Yolŋu weavings.

Categories: Bula'bula Arts

Name: Kylie Pascoe


Language: Wulaki


Community: Maningrida


Biography:

Kylie Pascoe is an early career artist who weaves from her home at Gamardi Outstation, about 100kms out of Maningrida, Central Arnhem Land. Kylie learnt to weave in the same way most teenage girls learn, by watching the old people and eventually trying herself.  

“I learn a lot by myself, lots of watching the old people”

Kylie prefers to weave sculptural pieces, focussing primarily on stingray and fish with bright natural colours, typical of contemporary pandanus weavings. Kylie weaves alongside her family, demonstrating her skill to the young children in her outstation. She enjoys weaving and says it’s a good way to pass the time on the weekends.


© the artist / art centre