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Status: Stock


hand painted polymer earrings

Hand painted earrings made with oven set polymer and acrylic paint. Note that earrings will vary in colour and design as this item is individually handmade.

“Emu go to the springs to have a drink of water and then move on to the next one.”

– Judith Anya Samson

Puntawarri is an important cultural area, as well as the site of a now abandoned community, a waterhole, creek and lake. Puntawarri is located on the middle stretches of the Canning Stock Route and east of the Jigalong Aboriginal Community, where Judith grew up with her grandmother and senior Martumili Artist Dadda Samson. Both artists continue to live there today.

Puntawarri lies within Judith’s ngurra (home Country, camp) through her mother’s family, and as a young girl she frequently travelled and hunted with her family in this area, learning the stories for this Country. Depicted in this work are the tracks of a group of emus on their way to Puntawarri waterhole, searching for kapi (water). 

Karlaya (emu) were traditionally hunted during the pujiman (traditional, desert dwelling) era, and they continue to be a favoured bush tucker for Martu today. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and gathering bush tucker as they went. Jina (tracks, footprints) are used by Martu people when tracking bush tucker. In the absence of an actual animal sighting, tracks act as an identifier that an animal was present, which can then be followed to the animal’s present location. Besides providing information on location, Martu are able to interpret from tracks the passage of time since the tracks were imprinted, as well as the corresponding animal species and its size.

The softer and more extensive the ground surface, the easier it is to locate and follow tracks, thus certain conditions are favoured for tracking. Tuulparra (spring) and yalijarra (hot time) are preferred over wantajarra (winter), when south easterly tradewinds blow strongly to obscure tracks. Tracks and burrows are also more readily visible in early growth lands, such as nyurnma (freshly burnt Country) and waru-waru (growth of new shoots and young plants). For this reason, fire burning is an important tool in animal tracking. Small burns are lit to clear vegetation, expose burrows, and to allow for access to walk and track readily in exposed sands, while simultaneously providing diverse regenerating habitats.

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Status: Stock


Mary Punchi Clement – Kira Kiro Country – Silk

My bush name is Muljay. “My father found me” at Ngarrandhu on the turtle, that’s my totem.  Mary painted ceremony and events, dancing and hunting as well as botanical themes, not limited to plants on land, but also fresh water and salt water aquatic plants known as food sources for sea creatures, an important part of Kalumburu culture. As a community Elder she held a wealth of knowledge regarding her cultural traditions.

In this image the country is alive with Madjal (Grasses) – Watja (Leaves) – Yulu (Bush Flowers) – Kanandur (Pandanus)- Kulalar (Vines) surrounding a rock hole near the sea.  The colours of flowers and leaves are reflected in the waters. Striated rocks surround the water hole.

“This painting shows the country before the fires and before people started changing the environment.”  

Mary’s work is inspired by the rich environment around her and depicts a record of her botanical knowledge. Her images are made up of a myriad of small brushstrokes in layers to represent her vast botanical knowledge describing bush foods and medicines. 

100% silk chiffon.  Made in Australia.

 

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Status: Stock


Kittey Malarvie – Milkwater – Silk Chiffon

Senior artist, Kittey Malarvie’s traditional Country is the desert landscape around Sturt Creek, south west of Kununurra and north of the Great Sandy Desert.  Layers of intersecting lines map the country along the river banks and interpret the transition of the seasons across a remarkable place of black soil and water the colour of milk.  In this artwork Malarvie depicts a meditation on the multifaceted play of wind and light on water.  The stormy crescendo of wind and waves stirs the dark river bed and the rainbow serpent who resides beneath. “…the rainbow snake stays there, he keeps the water there until the rain comes.”

Made in Australia

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Status: Stock


Betty Bundamurra – Kira Kiro Spirits – Silk Satin

From the time of the beginning – the Dreamtime – called Lalai by Kwini people,  the Kira Kiro  have been the  guardians and assistants of the Wandjina. They are good spirits and are also traditional dancers who sing about the yam and fruits that can be gathered when the wet season rains begin.  The Kira Kiro spirits taught Aboriginal people what food to hunt and gather, and how to use certain plants and trees for medicines.  They taught us how to care for the land and rivers and sea; to not waste food or cut down trees. They taught Aboriginal people about which trees are used for artefacts, where to find natural ochres, to look after rock art and sacred sites and where warriors are buried. The rocks where warriors are buried are painted with white ochre.  From generation to generation we learn the knowledge of the Kira Kiro from our warriors and elders past and present. These stories we are proud of. They were locked in our minds because we didn’t have books to keep for the younger generation. The Bradshaws or Kira Kiro figures are the worlds oldest rock art figures, even older than the Wandjina.

Made in Australia

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Status: Stock


Kaalpa (Kalypa, Canning Stock Route Well 23)

“Kaalpa (Kalypa, Canning Stock Route Well 23) is my grandfather’s Country. There’s a waterhole there, Kaalpa waterhole. It’s my two pops’ Country. They been walking around, hunting around Kaalpa. You can see a yapu (rock), warla (lake), claypans, karru (creek) and tuwa (sandhills) there. It’s on the [Canning] Stock Route, it’s Well 23.  

In pujiman (traditional, desert dwelling) days, pujimanpa (desert born people) walking around all this Country. My pops told me about that place, a big flat area, parlkarra (flat country) good for hunting parnajarrpa (goanna), lunki (witchetty grub), lungkurta (blue tongue lizard), wamurla (bush tomato), jinyjiwirrilyi (wild gooseberry). Kaalpa is a busy place for emus getting a drink. 

I went [to Kaalpa] for the first time [in 2018] on a Martumili KJ (Kanyirninpa Jukurrpa) trip. I went hunting there, got a parnajarrpa. When I went there, I was pukurlpa (happy). It made you open up your spirit, it feels like home.”

 – Corban Clause Williams

Kaalpa is a permanent water source located northeast of Kumpupirntily (Kumpupintily, Lake Disappointment). This site is a place of great cultural significance, and is also known for good hunting. Adjacent to the waterhole is a hill of the same name. The landscape around Kaalpa is parlkarra, bordered by tali (sandhills) stretching as far as Windy Corner, northeast and towards the border of Western Australia and the Northern Territory. The large and dangerous Jukurrpa (Dreamtime) mosquito and fly beings partially created the landforms in this area and continue to live underground here.

Kaalpa also features in the Minyipuru (Jakulyukulyu, Seven Sisters) Jukurrpa, a central creation narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation. At Kaalpa the Minyipuru met a group of men; it was the first time either group had seen members of the opposite sex. The men tried to grab the women, but the Minyipuru chased them, hitting them with their digging sticks leaving them lying there as they continued travelling east.

Minyipuru is Relayed in song, dance, stories and paintings, Minyipuru serves as a creation narrative, a source of information relating to the physical properties of the land, and an embodiment of Aboriginal cultural laws. Beginning in Roebourne on the west coast of Western Australia, the story morphs in its movement eastward across the land, following the women as they walk, dance, and even fly from waterhole to waterhole. As they travel the women camp, sing, wash, dance and gather food, leaving markers in the landscape and creating landforms that remain to this day, such as groupings of rocks and trees, grinding stones and seeds. During the entirety of their journey the women are pursued by a lustful old man, Yurla, although interactions with other animals, groups of men, and spirit beings are also chronicled in the narrative.

The intersection of the Canning Stock Route with Kaalpa also made this a site of early contact with Europeans for many Martu then living a pujiman life in the desert. Following the route’s construction, Martu encountered Europeans and other Martu working as cattle drovers as they would travel up and down the Stock Route from water source to water source. Increasingly, pujimanpa followed the route to newly established ration depots, mission and pastoral stations. They were drawn to the route in search of food, by a sense of curiosity, or by loneliness. By the late 1950s and early 1960s, most of the desert family groups had left the desert. Eventually, these factors combined with an extreme and prolonged drought in the 1960s to prompt the few remaining pujimanpa to move in from the desert.

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Status: Stock


‘Karlamilyi’ 2021 NAIDOC T-shirt

“This is in the Karlamilyi River (Rudall River) area. The sand dunes run from the East to the West and stop at the river’s edge on each side. Where the sand dunes stop, the river was created by the Jila Kujarra (Two Snakes) that went east to Nyayartakujarra (Ngayarta Kujarra, Lake Dora). 

North of Karlamilyi River there’s a series of claypans in that Country, big claypans and small claypans. After it’s rained they all get filled up. Walyji (white gum) grows around the claypans. It’s a camping area for Warnman people. They used to get water there and also from the Karlamilyi River area. 

You can see that blue water along the Karlamilyi River, and the red tuwa (sandhills). As you fly over that Country you will see the designs on the ground in the different formations and colours. That’s the land of my family who are the ancestral owners of Karlamilyi.” 

 – Desmond Taylor 

Karlamilyi is Warnman Country, located in the very heart of the Martu homelands. The Karlamilyi region is Desmond’s ngurra (home Country, camp) through his parents and grandparents, and he possesses a great deal of knowledge of the region’s physical elements, resource distribution, and Jukurrpa (Dreaming) narratives.

The region is situated southwest of the Great Sandy Desert and northeast of the Little Sandy Desert. Spanning through the region is the epic Karlamilyi River, which runs north into Nyayartakujarra, a large salt lake. The Broadhurst and Fingoon Ranges extend diagonally across the river’s path. The landscape is striking for its abundance of gorges and valleys carved by ice age glaciers, rugged cliffs, red tali (sand dunes), grasslands, sandstone and quartz rocky outcrops, and salt lakes. 

Across the whole region are hundreds of water sources; including waterholes, creeks, soaks, lakes, pools and rockholes. Lining the rivers are coolabah, walyji (river gum), yulbah (bats wing coral tree), and several species of acacia and hakea. Jalkuran (paperbark), kurrulyu/ mijarrpa (bloodwood) and jawirli (quandong) are found in the region’s valleys, and wikirrpa (desert oaks) and grasses in the sandplains. The area is abundant with bird species, jila (snakes), maruntu (goannas), red kangaroos and warlpaju (rock wallabies). The region is also home to remote aboriginal communities Punmu and Parnngurr.

According to two of the central Martu Jukurrpa narratives, the Karlamilyi River and its surrounds were created by the ancestral beings Jila Kujarra and the Wati Kujarra (Two Goanna Men) as they travelled across the lands.

11154001051


Status: Stock


‘Karlamilyi’ 2021 NAIDOC T-shirt

“This is in the Karlamilyi River (Rudall River) area. The sand dunes run from the East to the West and stop at the river’s edge on each side. Where the sand dunes stop, the river was created by the Jila Kujarra (Two Snakes) that went east to Nyayartakujarra (Ngayarta Kujarra, Lake Dora). 

North of Karlamilyi River there’s a series of claypans in that Country, big claypans and small claypans. After it’s rained they all get filled up. Walyji (white gum) grows around the claypans. It’s a camping area for Warnman people. They used to get water there and also from the Karlamilyi River area. 

You can see that blue water along the Karlamilyi River, and the red tuwa (sandhills). As you fly over that Country you will see the designs on the ground in the different formations and colours. That’s the land of my family who are the ancestral owners of Karlamilyi.” 

 – Desmond Taylor 

Karlamilyi is Warnman Country, located in the very heart of the Martu homelands. The Karlamilyi region is Desmond’s ngurra (home Country, camp) through his parents and grandparents, and he possesses a great deal of knowledge of the region’s physical elements, resource distribution, and Jukurrpa (Dreaming) narratives.

The region is situated southwest of the Great Sandy Desert and northeast of the Little Sandy Desert. Spanning through the region is the epic Karlamilyi River, which runs north into Nyayartakujarra, a large salt lake. The Broadhurst and Fingoon Ranges extend diagonally across the river’s path. The landscape is striking for its abundance of gorges and valleys carved by ice age glaciers, rugged cliffs, red tali (sand dunes), grasslands, sandstone and quartz rocky outcrops, and salt lakes. 

Across the whole region are hundreds of water sources; including waterholes, creeks, soaks, lakes, pools and rockholes. Lining the rivers are coolabah, walyji (river gum), yulbah (bats wing coral tree), and several species of acacia and hakea. Jalkuran (paperbark), kurrulyu/ mijarrpa (bloodwood) and jawirli (quandong) are found in the region’s valleys, and wikirrpa (desert oaks) and grasses in the sandplains. The area is abundant with bird species, jila (snakes), maruntu (goannas), red kangaroos and warlpaju (rock wallabies). The region is also home to remote aboriginal communities Punmu and Parnngurr.

According to two of the central Martu Jukurrpa narratives, the Karlamilyi River and its surrounds were created by the ancestral beings Jila Kujarra and the Wati Kujarra (Two Goanna Men) as they travelled across the lands.

11154001050


Status: Stock


‘Karlamilyi’ 2021 NAIDOC T-shirt

“This is in the Karlamilyi River (Rudall River) area. The sand dunes run from the East to the West and stop at the river’s edge on each side. Where the sand dunes stop, the river was created by the Jila Kujarra (Two Snakes) that went east to Nyayartakujarra (Ngayarta Kujarra, Lake Dora). 

North of Karlamilyi River there’s a series of claypans in that Country, big claypans and small claypans. After it’s rained they all get filled up. Walyji (white gum) grows around the claypans. It’s a camping area for Warnman people. They used to get water there and also from the Karlamilyi River area. 

You can see that blue water along the Karlamilyi River, and the red tuwa (sandhills). As you fly over that Country you will see the designs on the ground in the different formations and colours. That’s the land of my family who are the ancestral owners of Karlamilyi.” 

 – Desmond Taylor 

Karlamilyi is Warnman Country, located in the very heart of the Martu homelands. The Karlamilyi region is Desmond’s ngurra (home Country, camp) through his parents and grandparents, and he possesses a great deal of knowledge of the region’s physical elements, resource distribution, and Jukurrpa (Dreaming) narratives.

The region is situated southwest of the Great Sandy Desert and northeast of the Little Sandy Desert. Spanning through the region is the epic Karlamilyi River, which runs north into Nyayartakujarra, a large salt lake. The Broadhurst and Fingoon Ranges extend diagonally across the river’s path. The landscape is striking for its abundance of gorges and valleys carved by ice age glaciers, rugged cliffs, red tali (sand dunes), grasslands, sandstone and quartz rocky outcrops, and salt lakes. 

Across the whole region are hundreds of water sources; including waterholes, creeks, soaks, lakes, pools and rockholes. Lining the rivers are coolabah, walyji (river gum), yulbah (bats wing coral tree), and several species of acacia and hakea. Jalkuran (paperbark), kurrulyu/ mijarrpa (bloodwood) and jawirli (quandong) are found in the region’s valleys, and wikirrpa (desert oaks) and grasses in the sandplains. The area is abundant with bird species, jila (snakes), maruntu (goannas), red kangaroos and warlpaju (rock wallabies). The region is also home to remote aboriginal communities Punmu and Parnngurr.

According to two of the central Martu Jukurrpa narratives, the Karlamilyi River and its surrounds were created by the ancestral beings Jila Kujarra and the Wati Kujarra (Two Goanna Men) as they travelled across the lands.

11154001049


Status: Stock


‘Karlamilyi’ 2021 NAIDOC Tshirt

“This is in the Karlamilyi River (Rudall River) area. The sand dunes run from the East to the West and stop at the river’s edge on each side. Where the sand dunes stop, the river was created by the Jila Kujarra (Two Snakes) that went east to Nyayartakujarra (Ngayarta Kujarra, Lake Dora). 

North of Karlamilyi River there’s a series of claypans in that Country, big claypans and small claypans. After it’s rained they all get filled up. Walyji (white gum) grows around the claypans. It’s a camping area for Warnman people. They used to get water there and also from the Karlamilyi River area. 

You can see that blue water along the Karlamilyi River, and the red tuwa (sandhills). As you fly over that Country you will see the designs on the ground in the different formations and colours. That’s the land of my family who are the ancestral owners of Karlamilyi.” 

 – Desmond Taylor 

Karlamilyi is Warnman Country, located in the very heart of the Martu homelands. The Karlamilyi region is Desmond’s ngurra (home Country, camp) through his parents and grandparents, and he possesses a great deal of knowledge of the region’s physical elements, resource distribution, and Jukurrpa (Dreaming) narratives.

The region is situated southwest of the Great Sandy Desert and northeast of the Little Sandy Desert. Spanning through the region is the epic Karlamilyi River, which runs north into Nyayartakujarra, a large salt lake. The Broadhurst and Fingoon Ranges extend diagonally across the river’s path. The landscape is striking for its abundance of gorges and valleys carved by ice age glaciers, rugged cliffs, red tali (sand dunes), grasslands, sandstone and quartz rocky outcrops, and salt lakes. 

Across the whole region are hundreds of water sources; including waterholes, creeks, soaks, lakes, pools and rockholes. Lining the rivers are coolabah, walyji (river gum), yulbah (bats wing coral tree), and several species of acacia and hakea. Jalkuran (paperbark), kurrulyu/ mijarrpa (bloodwood) and jawirli (quandong) are found in the region’s valleys, and wikirrpa (desert oaks) and grasses in the sandplains. The area is abundant with bird species, jila (snakes), maruntu (goannas), red kangaroos and warlpaju (rock wallabies). The region is also home to remote aboriginal communities Punmu and Parnngurr.

According to two of the central Martu Jukurrpa narratives, the Karlamilyi River and its surrounds were created by the ancestral beings Jila Kujarra and the Wati Kujarra (Two Goanna Men) as they travelled across the lands.

11154001048


Status: Stock


‘Karlamilyi’ 2021 NAIDOC Tshirt

“This is in the Karlamilyi River (Rudall River) area. The sand dunes run from the East to the West and stop at the river’s edge on each side. Where the sand dunes stop, the river was created by the Jila Kujarra (Two Snakes) that went east to Nyayartakujarra (Ngayarta Kujarra, Lake Dora). 

North of Karlamilyi River there’s a series of claypans in that Country, big claypans and small claypans. After it’s rained they all get filled up. Walyji (white gum) grows around the claypans. It’s a camping area for Warnman people. They used to get water there and also from the Karlamilyi River area. 

You can see that blue water along the Karlamilyi River, and the red tuwa (sandhills). As you fly over that Country you will see the designs on the ground in the different formations and colours. That’s the land of my family who are the ancestral owners of Karlamilyi.” 

 – Desmond Taylor 

Karlamilyi is Warnman Country, located in the very heart of the Martu homelands. The Karlamilyi region is Desmond’s ngurra (home Country, camp) through his parents and grandparents, and he possesses a great deal of knowledge of the region’s physical elements, resource distribution, and Jukurrpa (Dreaming) narratives.

The region is situated southwest of the Great Sandy Desert and northeast of the Little Sandy Desert. Spanning through the region is the epic Karlamilyi River, which runs north into Nyayartakujarra, a large salt lake. The Broadhurst and Fingoon Ranges extend diagonally across the river’s path. The landscape is striking for its abundance of gorges and valleys carved by ice age glaciers, rugged cliffs, red tali (sand dunes), grasslands, sandstone and quartz rocky outcrops, and salt lakes. 

Across the whole region are hundreds of water sources; including waterholes, creeks, soaks, lakes, pools and rockholes. Lining the rivers are coolabah, walyji (river gum), yulbah (bats wing coral tree), and several species of acacia and hakea. Jalkuran (paperbark), kurrulyu/ mijarrpa (bloodwood) and jawirli (quandong) are found in the region’s valleys, and wikirrpa (desert oaks) and grasses in the sandplains. The area is abundant with bird species, jila (snakes), maruntu (goannas), red kangaroos and warlpaju (rock wallabies). The region is also home to remote aboriginal communities Punmu and Parnngurr.

According to two of the central Martu Jukurrpa narratives, the Karlamilyi River and its surrounds were created by the ancestral beings Jila Kujarra and the Wati Kujarra (Two Goanna Men) as they travelled across the lands.