April 2023

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Djerrk (Bush String Bag)

Djerrk are primarily made from the bark of Baḻgurr (Red-flowered Kurrajong – Brachychiton megaphyllus) but sometimes Banyan tree (Ficus virens) and Cocky Apple tree (Planchonia careya). Sections of the tree are cut, and depending on the size, whole portions or part portions from the trunk. The inner bark is beaten or chewed to soften then dyed with natural bush dyes. Once softened and dyed, parts of the fibre are separated into fine strips then rolled on the thigh to create a rope otherwise known as bush string. The bush string is then woven and knotted to create a djerrk (string bag). Djerrk were used for every day utilitarian purposes, particularly collecting bush foods such as bäḻtji (yam).

 

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Djerrk (Bush String Bag)

Djerrk are primarily made from the bark of Baḻgurr (Red-flowered Kurrajong – Brachychiton megaphyllus) but sometimes Banyan tree (Ficus virens) and Cocky Apple tree (Planchonia careya). Sections of the tree are cut, and depending on the size, whole portions or part portions from the trunk. The inner bark is beaten or chewed to soften then dyed with natural bush dyes. Once softened and dyed, parts of the fibre are separated into fine strips then rolled on the thigh to create a rope otherwise known as bush string. The bush string is then woven and knotted to create a djerrk (string bag). Djerrk were used for every day utilitarian purposes, particularly collecting bush foods such as bäḻtji (yam).

 

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377810582217842

Gunga (Pandanus)

Gunga refers to the weaving and production of goods from pandanus leaves and natural fibres. This design depicts fibre art from her homeland Galiwinku, Elcho Island.

The fish trap, basket, string bag and pandanus mats are objects as well as ancestral spirits and are significant to the artists as together they relate to her djang (Aboriginal religious belief).

Fish traps are woven by hand using the milirl (Burney vine, Trophis scandens) from the jungle, which is soaked overnight to make it soft. Fish traps are used by both saltwater and freshwater hunters. Baskets and pandanus mats are made from pandanus leaves, which are collected using long hooks, stripped, dried, boiled in natural dye, then woven.

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Bolung and Mimih Dancing

This is an artwork about a dancing Mimih. It’s based on a song line from Korlobidahdah. My fathers eldest brother used to sing this song line and Unkle Dennis he was a dancer. My real father, Jacky was a dancer as well and he was from Korlobidahdah. 

This beautiful design features a number of Jay’s exquisite lino tiles printed in black ink on a pale green cloth. 

 

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Njá-barawarra Na-míbba (Hammerhead shark)

Ndjébbana:

Njá-barawarra na-míbba   hammerhead shark. Sphyrna spp. Gender: djíya; Moiety: Djówanga; Generic (big name): djábbarnbókka ‘sharks’.

 

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Kunred Kunkurra (Helen Kaminski)

The artist, Janet Marawarr calls this design Kunred Kunkurra in her language, Kuninjku. Kunred means country, kunkurra refers the spiralling wind associated with the mini cyclones that occur around several sites in the Kardbam clan during the build up to the wet season. Marawarr often shares different versions of Kunkurra in her Lino print and Screen Print designs, the story or djang (dreaming) can be heard across the Kardbam clan groups  Eastern Kunwinjku and Kuninjku people  of the Yirridja moiety. This particular artwork describes the underground lightening that occurs during Kunkurra, in the build up to a storm in Mankorlod, Marawarr’s clan estate in West Arnhem Land. 

‘The round shapes in the design mean flashing lightening. The lines beside those shapes are foot tracks,  human foot tracks. When the rain falls it makes mud and underground lightening. When the sky is really red and black, we see the build up to a storm and we call that Kakodjngolbalabalahmen. That means that the clouds are forming.   So that’s the one you see in this artwork.  You can also see the leaves on top of the mud when the rain stops.’ Janet Marawarr 2023 

 

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man-kurdudjumuk – yellow colour

The striking yellow – gold hue comes from the root oft of the man-kurdudjumuk (coelospermum reticulatum) which has been harvested from the sandy country near the flood plains. This laborious and tiring process requires digging up the entire shrub. The root is shaven into a pot of water and the colour is released into waster through boiling. 

A soft silk bush dyed blouse designed by Sydney designer Jemimah Jemimah and dyed by Deborah Wurrkidj on her partners country in Arnhem Land. 

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Raypiny Dhawu (Fresh Water Story)

All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of time. These creator beings moved across the countryside, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These creative spirits took many forms and when they gave the land to each group, they also gave songs, dances, ceremony, the associated laws and language.

 

The creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Many Ganalbingu artists paint totemic species significant to their clan. These can include baru (crocodile), banda (long necked turtle), buliya (catfish), yalman (waterlilies), gumang (magpie geese), dakawa (fresh water yabby), ratjuk (barramundi), warrnyu (flying fox) and more.

 

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