Hand Painted – Tote bags
These colourful tote bags are the outcome of a painting colloboration with Shannon Brett, Cairns based Indigenous artist and mentor.
225682243669
Hand Painted – Tote bags
These colourful tote bags are the outcome of a painting colloboration with Shannon Brett, Cairns based Indigenous artist and mentor.
225682243668
Hand Painted – Tote bags
These colourful tote bags are the outcome of a painting colloboration with Shannon Brett, Cairns based Indigenous artist and mentor.
225682243667
Hand Painted – Tote bags
These colourful tote bags are the outcome of a painting colloboration with Shannon Brett, Cairns based Indigenous artist and mentor.
225682243666
Hand Painted – Tote bags
These colourful tote bags are the outcome of a painting colloboration with Shannon Brett, Cairns based Indigenous artist and mentor.
225682243664
Hand Painted – Tote bags
These colourful tote bags are the outcome of a painting colloboration with Shannon Brett, Cairns based Indigenous artist and mentor.
111982243638
Coil Basket
Coil basketry is a well-established fibre art form in the Maningrida region, especially for women from the Kuninjku, Rembarrnga, Ndjebbana and Nakkara language groups.
Artists make coiled baskets of many shapes and sizes, ranging from small round baskets to large oval baby baskets, and made mostly from pandanus fibre that is dyed with natural pigments. Bundles of fibre are formed into coils which are covered and stitched together with strands of fibre threaded onto a needle. Artists combine colours and patterns to obtain intricate new graphic patterns.
These techniques are believed to have been introduced to Arnhem Land by Greta Matthews, a missionary on Goulburn Island in the 1920s. She had probably learnt coil basketry from Aboriginal people in the south-east of Australia, possibly the Murray River people such as the Yorta Yorta or the coastal Ngarrindjeri.
The coiling technique spread quickly from Goulburn Island to people on mainland Arnhem Land.
111982243637
Coil Basket
Coil basketry is a well-established fibre art form in the Maningrida region, especially for women from the Kuninjku, Rembarrnga, Ndjebbana and Nakkara language groups.
Artists make coiled baskets of many shapes and sizes, ranging from small round baskets to large oval baby baskets, and made mostly from pandanus fibre that is dyed with natural pigments. Bundles of fibre are formed into coils which are covered and stitched together with strands of fibre threaded onto a needle. Artists combine colours and patterns to obtain intricate new graphic patterns.
These techniques are believed to have been introduced to Arnhem Land by Greta Matthews, a missionary on Goulburn Island in the 1920s. She had probably learnt coil basketry from Aboriginal people in the south-east of Australia, possibly the Murray River people such as the Yorta Yorta or the coastal Ngarrindjeri.
The coiling technique spread quickly from Goulburn Island to people on mainland Arnhem Land.
115682243064
Lorrpu in the Mayku tree
This painting depicts Lurrpu (Sulphur-crested cockatoo) in a Mayku Tree (Paper Bark Tree) and is a song line for the Gupapuyngu people. In the song line the Lurrpu feed on nuts and seeds of the Mayku Tree across the vast landscapes of Arnhem Land.
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Kunwardde dja Kunronj (Rocks and Billabong)
Abigail has depicted the waterholes or Kunwardde dja Kunronj (Sacred Rocks and Billabong) that lie on the plains near Mankorlod, the country for which she is a traditional owner.
The waterholes remain wet throughout the year, even during dry season. This site is connected to the artist’s djang (dreaming), the ngalng (freshwater yabbie) and stone country. Mankorlod homeland is a three-hour drive from Maningrida in the kunwardde (stone country).