September 2023

377810582254423

Au-gujechiya (fishtrap) Screen Print

TITLE                          Au-gujechiya

YEAR                          2022

MEDIUM                     Screen print

DETAILS                    2 screen

Au-gujechiya  means  fishtrap in the Burrarra language which is one of the traditional  languages spoken in the Maningrida region. Elizabeth’s homeland is Gupanga, Arnhem Land which located on a saltwater estuary, a great place for catching fish.

Elizabeth obtained permission from her djunkay to create a screen print design about a historic object traditionally used to trap fish in rivers, creeks, and estuaries. 

In the early wet season, fish swim upstream for breeding in creeks and billabongs, then downstream to spend the dry season in larger rivers. The traps would be set to face the oncoming fish, with woven fencing either side. Within the mouth of the trap is a woven funnel that guides the fish in and prevents their escape. The clever design ensures that only adult fish are caught as smaller fish can escape through the weaving or even through the funnel. The fish that are caught can survive in the trap for up to two months. Once the trap is removed, the end is untied to remove the fish. This sustainable design means the trap can be used again and again. 

By CompNet Systems, ago

115682254417

Raypiny Dhawu (Fresh Water Story)

All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of time. These creator beings moved across the countryside, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These creative spirits took many forms and when they gave the land to each group, they also gave songs, dances, ceremony, the associated laws and language.

 

The creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Many Ganalbingu artists paint totemic species significant to their clan. These can include baru (crocodile), banda (long necked turtle), buliya (catfish), yalman (waterlilies), gumang (magpie geese), dakawa (fresh water yabby), ratjuk (barramundi), warrnyu (flying fox) and more.

 

By CompNet Systems, ago

115682254416

Banumbirr- Morning Star Ceremony (Dhuwa Moiety)

Banumbirr – Morning Star Ceremony (Dhuwa moiety)

The Morning Star Ceremony is from the Dhuwa moiety. I have painted the ceremony here. It’s got leaves from the banyan tree (ficus virnens) that makes figs for people to eat – they are part of our bush tucker.

 

The Morning Star is from my great grandfather, my grandfather and my father. I paint it for my family to show my sisters and brothers. My grandfather and my father have both passed away, so I teach the bunggul (dancing) to my children.

We make a little Morning Star (you can see a man holding that on the right side of the painting), so the big Morning Star can came out. It is a long ceremonial pole that we dance around. You can also see the little Morning Star in this painting. There are men with yidaki (didjeridoo) and bilma (clap sticks) singing the Morning Star song cycle part for my people. The women have banyan tree leaves that they are dancing with.

We make a big Morning Star pole as part of the ceremony. You can see that in the middle of this painting.

Banumbirr – Morning Star – is an exchange ceremony with other clans in the Bapurru (clan group).

The Morning Star is the first star you see in the sky in the mornings.

By CompNet Systems, ago

115682254415

Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong. 

By CompNet Systems, ago

115682254414

Lungurrma (North-east Wind)

Lungurrma (North-east Wind) heralds the new season when seas are calm and new growth starts. The months for this type of wind are October to December. There are big clouds without thunder or rain. The triangular patterning represents monsoon clouds ‘standing up’ on the northern horizon. The Lunggurrma design belongs to the Yirritja moiety clans linked to this design are known as the ‘line of clouds’ clans

By CompNet Systems, ago

377810582254413

Au-gujechiya (fishtrap) Screen Print

TITLE                          Au-gujechiya

YEAR                          2022

MEDIUM                     Screen print

DETAILS                    2 screen

Au-gujechiya  means  fishtrap in the Burrarra language which is one of the traditional  languages spoken in the Maningrida region. Elizabeth’s homeland is Gupanga, Arnhem Land which located on a saltwater estuary, a great place for catching fish.

Elizabeth obtained permission from her djunkay to create a screen print design about a historic object traditionally used to trap fish in rivers, creeks, and estuaries. 

In the early wet season, fish swim upstream for breeding in creeks and billabongs, then downstream to spend the dry season in larger rivers. The traps would be set to face the oncoming fish, with woven fencing either side. Within the mouth of the trap is a woven funnel that guides the fish in and prevents their escape. The clever design ensures that only adult fish are caught as smaller fish can escape through the weaving or even through the funnel. The fish that are caught can survive in the trap for up to two months. Once the trap is removed, the end is untied to remove the fish. This sustainable design means the trap can be used again and again. 

By CompNet Systems, ago

377810582254388

Au-gujechiya (fishtrap) Screen Print

TITLE                          Au-gujechiya

YEAR                          2022

MEDIUM                     Screen print

DETAILS                    2 screen

Au-gujechiya  means  fishtrap in the Burrarra language which is one of the traditional  languages spoken in the Maningrida region. Elizabeth’s homeland is Gupanga, Arnhem Land which located on a saltwater estuary, a great place for catching fish.

Elizabeth obtained permission from her djunkay to create a screen print design about a historic object traditionally used to trap fish in rivers, creeks, and estuaries. 

In the early wet season, fish swim upstream for breeding in creeks and billabongs, then downstream to spend the dry season in larger rivers. The traps would be set to face the oncoming fish, with woven fencing either side. Within the mouth of the trap is a woven funnel that guides the fish in and prevents their escape. The clever design ensures that only adult fish are caught as smaller fish can escape through the weaving or even through the funnel. The fish that are caught can survive in the trap for up to two months. Once the trap is removed, the end is untied to remove the fish. This sustainable design means the trap can be used again and again. 

By CompNet Systems, ago

377810582254376

Ngalng

Ngalng (fresh water yabby)

‘This is a story from Mankorlod. This is a djang story. This is the creation story about the fresh water yabby. Starting with the stone, that’s the raw one and the cooked one. The stone rock suddenly turned to ngalng, in a flash. Ngalng started growing and turned into a body. It’s a magic one and it can change from rock to ngalng to human and back to ngalng. Now it’s a ngalng. 

The country is near Mankorlod and Korlobididah. The ngalng is stuck there forever on the rock at Korlobididah,’ 

‘There is also duruk (camp dog) called ‘Djanbokkon’. This is a duruk that comes from water and no one has seen it. This is a true duruk, he goes everywhere in the country. His body is striped. He is a secret dog and he has a secret story.’ 

Janet Marawarr 2022

By CompNet Systems, ago

111582254449

All the Minma

“All the minma, ladies. Sitting along the river. Drinking the water, looking for bushtucker. All around Kiwirrkurra.”

-Sharon Porter

This site forms part of Sharon’s ngurra (home Country, camp) through her grandmother, Katjarra Butler. Located east of Kiwirrkurra, on Pintupi country.

This story is part of a Jukurrpa story, told to Sharon by her grandmother, Katjarra Butler.  The term Jukurrpa is often translated in English as the ‘dreaming’, or ‘dreamtime’. It refers generally to the period in which the world was created by ancestral beings, who assumed both human and nonhuman forms. These beings shaped what had been a formless landscape; creating waters, plants, animals, and people. At the same time they provided cultural protocols for the people they created, as well as rules for interacting with the natural environment. At their journey’s end, the ancestral beings transformed themselves into important waters, hills, rocks, and even constellations.

During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and gathering bush tucker as they went. Whilst desert life has moved away from mobile hunter-gatherer subsistence throughout the course of the twentieth century, bush tucker continues to be a significant component of the modern Martu diet. Hunting and gathering bush tucker remains equally valuable as an important cultural practice that is passed on intergenerationally. Though hunting and gathering implements have been modernised, methods of harvesting, tracking and the use of fire burning to drive animals from their retreats are still commonly practiced today.

By CompNet Systems, ago