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Mossman River Design

The Mossman River is very important to me and my family. Laurence, my partner and the father of our 5 children, is one of the Traditional Owners of this area. We both grew up along the river and Laurence’s grandparents used to live in a hut next to the river. In the hot season, we used to camp there with our families. Laurence would teach me and later our children how to dive for turtle and fish. We would cross the river to hunt and collect bush food. Back at the camp, we would make fire, cook our damper and fish in an earth oven and share with our families.

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Witchety Grub

Bernadette’s painted logs are often offcuts from mako or didjeridu manufacture. Rather than wasting the pieces or relegating them to the fire, Bernadette collects these, sands them smooth and then experiments with different painting techniques.

Painted using a combination of brushes; handmade traditional Jarlk grass reed brush harvested from local billabongs and wet areas, along with modern paintbrushes. Bernadette sometimes paints using a stippling effect (modern paintbrush), a modern panting style (fish using a modern brush for example), raark (fine line work using a jarlk brush), or dots (using the end of a jarlk brush).

Painted entirely using modern acrylic paints.

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Raark on log

Bernadette’s painted logs are often offcuts from mako or didjeridu manufacture. Rather than wasting the pieces or relegating them to the fire, Bernadette collects these, sands them smooth and then experiments with different painting techniques.

Painted using a combination of brushes; handmade traditional Jarlk grass reed brush harvested from local billabongs and wet areas, along with modern paintbrushes. Bernadette sometimes paints using a stippling effect (modern paintbrush), a modern panting style (fish using a modern brush for example), raark (fine line work using a jarlk brush), or dots (using the end of a jarlk brush).

Painted entirely using modern acrylic paints.

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Raark on log

Bernadette’s painted logs are often offcuts from mako or didjeridu manufacture. Rather than wasting the pieces or relegating them to the fire, Bernadette collects these, sands them smooth and then experiments with different painting techniques.

Painted using a combination of brushes; handmade traditional Jarlk grass reed brush harvested from local billabongs and wet areas, along with modern paintbrushes. Bernadette sometimes paints using a stippling effect (modern paintbrush), a modern panting style (fish using a modern brush for example), raark (fine line work using a jarlk brush), or dots (using the end of a jarlk brush).

Painted entirely using modern acrylic paints.

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Ngunyin (Dillybag)

Dillybags played a vital part in Kuku Yalanji culture. Women used them to carry food when out hunting and gathering or soak bitter yams in creeks before cooking them. Dillybags were also used to hold personal and sacred items.

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Ngunyin (Dillybag)

Dillybags played a vital part in Kuku Yalanji culture. Women used them to carry food when out hunting and gathering or soak bitter yams in creeks before cooking them. Dillybags were also used to hold personal and sacred items.

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Ngunyin (Dillybag)

Dillybags played a vital part in Kuku Yalanji culture. Women used them to carry food when out hunting and gathering or soak bitter yams in creeks before cooking them. Dillybags were also used to hold personal and sacred items.

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Kadanji (Palm Cockatoo)

Kadanji (Palm Cockatoo) is my family Totem. It is very important to me because it holds all the stories relating to the traditional land that was passed tdown to me and my siblings through my fathers side, grand fathers and great grand fathers side.

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Kadanji (Palm Cockatoo)

Kadanji (Palm Cockatoo) is my family Totem. It is very important to me because it holds all the stories relating to the traditional land that was passed tdown to me and my siblings through my fathers side, grand fathers and great grand fathers side.

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Makarr (Fish Trap)

Fish Trap

Fish traps are called Makarr in our language. They were made by men only. Our fathers and uncles used to make them with the lawyer vine. They striped the stems and then soaked them in the river to keep them soft and bendy. They also had a special way of weaving the fish traps. They used them in the river to catch eels, jungle perch fresh water catfish and turtle. To attract fish our old people used to sprinkle rain forest berries as bait over the trap.