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Marlene Anderson

This artwork represents Marlene Anderson, an established artist and key artsworker at Martumili. The artist, Owen John (OJ) Biljabu is a proud Martu man from the Western Deserts, which range from Newman to Kunawarritji. Traditionally, Martu artists are not known for portraiture, however OJ has chosen to use traditional acrylic painting techniques to depict his community, other Martu artists and important figures in his life. He is currently the only member of Martumili Artists to do this, and is forging his own path with his self-taught techniques The traditional lands of the Martu people encompass the Great Sandy Desert and Rudall River regions of Western Australia, and include speakers of Manyjilyjarra, Warnman, Kartujarra, Putijarra and Martu Wangka languages. Martumili Artists work in the Newman based gallery and studio spaces, as well as within remote Aboriginal communities Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong. Recognised for their diverse, energetic and unmediated painting styles, their works reflect the dramatic geography and scale of their homelands. The artists are predominantly painters, working in acrylics and oils, though many also weave baskets from gathered grasses and wool. Popular mediums among younger Martu artists include photography and animation. The group proudly maintain their creative practices whilst pursuing social and cultural obligations across the Martu homelands

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Ngamaru Bidu

This artwork represents Ngamaru Bidu, a senior Martu elder and established artist at Martumili. The artist, Owen John (OJ) Biljabu is a proud Martu man from the Western Deserts, which range from Newman to Kunawarritji. Traditionally, Martu artists are not known for portraiture, however OJ has chosen to use traditional acrylic painting techniques to depict his community, other Martu artists and important figures in his life. He is currently the only member of Martumili Artists to do this, and is forging his own path with his self-taught techniques The traditional lands of the Martu people encompass the Great Sandy Desert and Rudall River regions of Western Australia, and include speakers of Manyjilyjarra, Warnman, Kartujarra, Putijarra and Martu Wangka languages. Martumili Artists work in the Newman based gallery and studio spaces, as well as within remote Aboriginal communities Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong. Recognised for their diverse, energetic and unmediated painting styles, their works reflect the dramatic geography and scale of their homelands. The artists are predominantly painters, working in acrylics and oils, though many also weave baskets from gathered grasses and wool. Popular mediums among younger Martu artists include photography and animation. The group proudly maintain their creative practices whilst pursuing social and cultural obligations across the Martu homelands

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Clifton Girgiba

This artwork represents Clifton Girgiba, an important Martu leader and established artist at Martumili. The artist, Owen John (OJ) Biljabu is a proud Martu man from the Western Deserts, which range from Newman to Kunawarritji. Traditionally, Martu artists are not known for portraiture, however OJ has chosen to use traditional acrylic painting techniques to depict his community, other Martu artists and important figures in his life. He is currently the only member of Martumili Artists to do this, and is forging his own path with his self-taught techniques The traditional lands of the Martu people encompass the Great Sandy Desert and Rudall River regions of Western Australia, and include speakers of Manyjilyjarra, Warnman, Kartujarra, Putijarra and Martu Wangka languages. Martumili Artists work in the Newman based gallery and studio spaces, as well as within remote Aboriginal communities Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong. Recognised for their diverse, energetic and unmediated painting styles, their works reflect the dramatic geography and scale of their homelands. The artists are predominantly painters, working in acrylics and oils, though many also weave baskets from gathered grasses and wool. Popular mediums among younger Martu artists include photography and animation. The group proudly maintain their creative practices whilst pursuing social and cultural obligations across the Martu homelands

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Nola Taylor

This artwork represents Nola Taylor, a senior Martu elder and established artist at Martumili.The artist, Owen John (OJ) Biljabu is a proud Martu man from the Western Deserts, which range from Newman to Kunawarritji. Traditionally, Martu artists are not known for portraiture, however OJ has chosen to use traditional acrylic painting techniques to depict his community, other Martu artists and important figures in his life. He is currently the only member of Martumili Artists to do this, and is forging his own path with his self-taught techniques The traditional lands of the Martu people encompass the Great Sandy Desert and Rudall River regions of Western Australia, and include speakers of Manyjilyjarra, Warnman, Kartujarra, Putijarra and Martu Wangka languages. Martumili Artists work in the Newman based gallery and studio spaces, as well as within remote Aboriginal communities Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong. Recognised for their diverse, energetic and unmediated painting styles, their works reflect the dramatic geography and scale of their homelands. The artists are predominantly painters, working in acrylics and oils, though many also weave baskets from gathered grasses and wool. Popular mediums among younger Martu artists include photography and animation. The group proudly maintain their creative practices whilst pursuing social and cultural obligations across the Martu homelands

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Judith Anya Samson

This artwork represents Judith Anya Samson, an established artist and key artsworker at Martumili. The artist, Owen John (OJ) Biljabu is a proud Martu man from the Western Deserts, which range from Newman to Kunawarritji. Traditionally, Martu artists are not known for portraiture, however OJ has chosen to use traditional acrylic painting techniques to depict his community, other Martu artists and important figures in his life. He is currently the only member of Martumili Artists to do this, and is forging his own path with his self-taught techniques The traditional lands of the Martu people encompass the Great Sandy Desert and Rudall River regions of Western Australia, and include speakers of Manyjilyjarra, Warnman, Kartujarra, Putijarra and Martu Wangka languages. Martumili Artists work in the Newman based gallery and studio spaces, as well as within remote Aboriginal communities Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong. Recognised for their diverse, energetic and unmediated painting styles, their works reflect the dramatic geography and scale of their homelands. The artists are predominantly painters, working in acrylics and oils, though many also weave baskets from gathered grasses and wool. Popular mediums among younger Martu artists include photography and animation. The group proudly maintain their creative practices whilst pursuing social and cultural obligations across the Martu homelands

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Cyril Whyoulter

This artwork represents Cyril Whyoulter, an established artist at Martumili. The artist, Owen John (OJ) Biljabu is a proud Martu man from the Western Deserts, which range from Newman to Kunawarritji. Traditionally, Martu artists are not known for portraiture, however OJ has chosen to use traditional acrylic painting techniques to depict his community, other Martu artists and important figures in his life. He is currently the only member of Martumili Artists to do this, and is forging his own path with his self-taught techniques The traditional lands of the Martu people encompass the Great Sandy Desert and Rudall River regions of Western Australia, and include speakers of Manyjilyjarra, Warnman, Kartujarra, Putijarra and Martu Wangka languages. Martumili Artists work in the Newman based gallery and studio spaces, as well as within remote Aboriginal communities Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong. Recognised for their diverse, energetic and unmediated painting styles, their works reflect the dramatic geography and scale of their homelands. The artists are predominantly painters, working in acrylics and oils, though many also weave baskets from gathered grasses and wool. Popular mediums among younger Martu artists include photography and animation. The group proudly maintain their creative practices whilst pursuing social and cultural obligations across the Martu homelands

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Sowurraw Pamay (Digging Wild Yam)

My image Sowurraw Pamay depicts a boy digging for wild yams. I lost my father when I was young so my mother brought us up. My older brother’s taught me the traditional men’s business like hunting and fishing, but I learnt all about gathering plants and their different types from my Mum. As I did this artwork I had a feeling like déjà vu of my mum, myself and two younger sisters one morning long ago.

We were walking along and Mum pointed out some leaves and said “This is sowurr – dig there”. There and then she taught us how to identify when the sowurr were ready to be harvested. We dug everywhere she pointed and soon we knew exactly what we were looking for. I was confused though because I thought we were going fishing but here we were digging all of these yams and our arms were getting sore. After we had a good pile Mum told us to leave half to collect later, but we had to carry the rest to the beach. By the time we caught fish it was late afternoon and we were starving, we hadn’t eaten all day. We made a fire and Mum roasted the yams and the fish, it was so good and gave us strength to head back. When we got home we roasted the rest of the yams and made fish soup for the family.

Laurie Nona 2024

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Mukuy Spirit Figures

These finely crafted figures represent Mukuy Spirit creatures. The Mukuy belong in Yirritja country called Galanbirni. At night you might hear them playing the Didjeridu. The Mukuy travel around a lot and are often found in sacred places. They are mysterious, sometimes playful and sometimes cheeky characters, often referred to as Devil Devil. Mukuy figures tell the stories of country, culture and spiritual beliefs.

221382311762



Mukuy Spirit Figures

These finely crafted figures represent Mukuy Spirit creatures. The Mukuy belong in Yirritja country called Galanbirni. At night you might hear them playing the Didjeridu. The Mukuy travel around a lot and are often found in sacred places. They are mysterious, sometimes playful and sometimes cheeky characters, often referred to as Devil Devil. Mukuy figures tell the stories of country, culture and spiritual beliefs.

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Mukuy Spirit Figures

These finely crafted figures represent Mukuy Spirit creatures. The Mukuy belong in Yirritja country called Galanbirni. At night you might hear them playing the Didjeridu. The Mukuy travel around a lot and are often found in sacred places. They are mysterious, sometimes playful and sometimes cheeky characters, often referred to as Devil Devil. Mukuy figures tell the stories of country, culture and spiritual beliefs.