Fish traps are called Makarr in our language. They were made by men only. Our fathers and uncles used to make them with the lawyer vine. They stripped the stems and then soaked them in the river to keep them soft and bendy. They also had a special way of weaving the fish traps. They used them in the river to catch eels, jungle perch, fresh water catfish and turtle. To attract fish our old people used to sprinkle rain forest berries as bait over the trap.
Many years ago, our ancestors lived in harmony with the rainforest and other parts of the land, they knew many different ways of hunting and gathering for food. Diwan (Scrub Turkey) was an important food source for us. The women used to collect the eggs in a special way. They danced around the big nests while other women dived into the big nest with their arms. The eggs are found very deep down, in the warmest area of the nest. Diwan (Scrub turkey) is deeply connected with the Kuku Yalanji clans. It is an important Totem that is still sung and danced in public ceremonies today.
Many years ago, our ancestors lived in harmony with the rainforest and other parts of the land, they knew many different ways of hunting and gathering for food. Diwan (Scrub Turkey) was an important food source for us. The women used to collect the eggs in a special way. They danced around the big nests while other women dived into the big nest with their arms. The eggs are found very deep down, in the warmest area of the nest. Diwan (Scrub turkey) is deeply connected with the Kuku Yalanji clans. It is an important Totem that is still sung and danced in public ceremonies today.
Traditional shields were carved from a single piece of timber cut from side of the buttress root of a rainforest fig-tree. The kidney shaped shields are unique to the rainforest Bama of Far North Queensland. They were decorated with clan, totem or moiety designs using natural ochres and a water, fat or blood binder.
Shields were primarily used for deflecting spears in tribal fighting in conjunction with large rainforest swords.
Shields were usually made and painted by senior men and were a significant personal possession of adult males.
Traditional shields were carved from a single piece of timber cut from side of the buttress root of a rainforest fig-tree. The kidney shaped shields are unique to the rainforest Bama of Far North Queensland. They were decorated with clan, totem or moiety designs using natural ochres and a water, fat or blood binder.
Shields were primarily used for deflecting spears in tribal fighting in conjunction with large rainforest swords.
Shields were usually made and painted by senior men and were a significant personal possession of adult males.
Traditional shields were carved from a single piece of timber cut from side of the buttress root of a rainforest fig-tree. The kidney shaped shields are unique to the rainforest Bama of Far North Queensland. They were decorated with clan, totem or moiety designs using natural ochres and a water, fat or blood binder.
Shields were primarily used for deflecting spears in tribal fighting in conjunction with large rainforest swords.
Shields were usually made and painted by senior men and were a significant personal possession of adult males.
Traditional shields were carved from a single piece of timber cut from side of the buttress root of a rainforest fig-tree. The kidney shaped shields are unique to the rainforest Bama of Far North Queensland. They were decorated with clan, totem or moiety designs using natural ochres and a water, fat or blood binder.
Shields were primarily used for deflecting spears in tribal fighting in conjunction with large rainforest swords.
Shields were usually made and painted by senior men and were a significant personal possession of adult males.
Traditional shields were carved from a single piece of timber cut from side of the buttress root of a rainforest fig-tree. The kidney shaped shields are unique to the rainforest Bama of Far North Queensland. They were decorated with clan, totem or moiety designs using natural ochres and a water, fat or blood binder.
Shields were primarily used for deflecting spears in tribal fighting in conjunction with large rainforest swords.
Shields were usually made and painted by senior men and were a significant personal possession of adult males.
Traditional shields were carved from a single piece of timber cut from side of the buttress root of a rainforest fig-tree. The kidney shaped shields are unique to the rainforest Bama of Far North Queensland. They were decorated with clan, totem or moiety designs using natural ochres and a water, fat or blood binder.
Shields were primarily used for deflecting spears in tribal fighting in conjunction with large rainforest swords.
Shields were usually made and painted by senior men and were a significant personal possession of adult males.
“I want to tell you about my design, that Eiffel tower one.
This year it was my first time going to Paris. I didn’t know that place, nothing. We travelled around the world to get there, we flew underneath the world in an aeroplane.
Paris was a big, crowded city. They speak a different language there, just like here in Maningrida with all our different languages.
The Bábbarra artists and Ingrid, we were all walking around, like tourists. We went on the boat in the Paris river. There was a film crew taking videos of us. We saw so many beautiful buildings covered with black string (iron balconies) and big statues. We’d never seen things like that before.
I remember when we got off that boat and I looked up and saw that tower. When I first looked up at that tower, it made me happy- it’s so long up into the sky. We walked towards it. I was standing there watching that tower and thinking, ‘wow, first time for me seeing a tower like that’.
Then I was thinking, and I said to myself, when I go back to my own country, I’m going to paint that tower.
We came to Maningrida, I started to draw. I drew that tower from France, but also I drew maladj (stone country orphan spirit), women’s sacred woven mat, fish traps and rolk (insects). I also put round kunngol (clouds) in the design, those circles. That maladj spirit, it’s standing there next to the Eiffel tower, looking at the dancing lights at night. The tower is from Paris, but everything else in my design I took from my mother’s country and my father’s country.
Maybe one day I’ll travel back to France, and take my design with me to show them, all the French mob.” Janet Marawarr