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Jarruka Bulka (Scrubfowl Nest)

Jarruka Bulka (Scrubfowl Nest) and the Diwan Bulka (Brush Turkey Nest) is essential to the survival of our hunting and gathering practices, as the women and girls collect the eggs from these nests, every season.The Jarruka Bulka is more sought after and is the larger of these nests.

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Kakan (Black Palm) Dillybag.

Our ancestors used Kakan (Black Palm) dilly bags to carry food when out hunting and gathering or soak bitter yams in creeks before cooking them. They were also used to hold personal items.

When I was a young girl my grandmother would teach me how to make Black Palm dillybags. We used to set up camp with other Kuku Yalanji women at a creek near Helenvale. It is very hard work. The men would help us cutting down the palm trees and separate the crownshaft from the trunk and the leaves. Then the women used to peel away the outer leaves until they felt strong threads they could pull out. They cleaned these threads from pulp with a mussel shell. When we moved away from Helenvale I forgot how to make them. Luckily years later I asked a relative of mine, Wilma Walker, who is great weaver, if she could refresh my memories. From then on I kept making dillybags as long as my health allowed it. I really enjoyed making them.

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Mossman River Design

The Mossman River is very important to me and my family. Laurence, my partner and the father of our 5 children, is one of the Traditional Owners of this area. We both grew up along the river and Laurence’s grandparents used to live in a hut next to the river. In the hot season, we used to camp there with our families. Laurence would teach me and later our children how to dive for turtle and fish. We would cross the river to hunt and collect bush food. Back at the camp, we would make fire, cook our damper and fish in an earth oven and share with our families.

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Mossman River Design

The Mossman River is very important to me and my family. Laurence, my partner and the father of our 5 children, is one of the Traditional Owners of this area. We both grew up along the river and Laurence’s grandparents used to live in a hut next to the river. In the hot season, we used to camp there with our families. Laurence would teach me and later our children how to dive for turtle and fish. We would cross the river to hunt and collect bush food. Back at the camp, we would make fire, cook our damper and fish in an earth oven and share with our families.

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Kakan (Black Palm) Basket Weaving

This design shows how the bottom part of a black palm basket is woven. My grandmothers and aunties used to make them. They cut off the young palm leaves in the centre, stripped and scrapped them. Then they would put the strips in freshwater to make them soft and keep them straight for weaving.

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Kakan (Black Palm) Basket Weaving

This design shows how the bottom part of a black palm basket is woven. My grandmothers and aunties used to make them. They cut off the young palm leaves in the centre, stripped and scrapped them. Then they would put the strips in freshwater to make them soft and keep them straight for weaving.

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My Grandmothers Country-Elizabeth Ngwarra Bonney

I still hunt my Grand Mothers country for goanna, bush medicine and yams.

I hunt all year round, hunting and walking through the country makes me happy.  When I look at the distant hills I can feel my grandmother.  Bush flowers are everywhere.

Painting my grandmother’s country reminds about those times.

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Kungkarrangkalpa (Seven Sisters)

‘Kungkarrangkalpa’ (The Seven Sisters or Pleaides) is significant Tjukurrpa (dreamtime). Its origins you may be familiar with in astronomy and its connection to ‘Wati Nyiru’ (Magic Man or Orion).  The roots of this dreaming stems across indigenous groups around the world. The Australian Aboriginal songline is one part to the whole dreaming which can be traced all around the world. The ladies of the Ngaanyatjarra Lands depict their significant chapter and understanding of the journey of the sisters. The different versions of this story depend on where you live and the significance’s of local Tjukurrpa places.

Nyiru fell in love with the sisters but he was of the wrong skin group to marry, but he still pursued them on their journey. The sisters travel across the land to escape Nyiru’s unwanted attentions, but he is persistent and always finds them. There are significant land forms which can be sited today that evidence this dreaming. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarrpa (bush tomato) and the most beautiful Yirli (wild fig tree), for them to eat and camp under. However, the sisters are knowledgeable of his magic and too clever for Nyiru who they outwit again and again. They go hungry and run through the night rather than be caught by him. As the journey continues, Nyiru gets so frustrated at the wit of the sisters that he uses his magic to make the oldest sister sick to try and get closer to her. The other sisters rescue the big sister and nurse her back to health. It is said he also captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually, the sisters fly into the sky to escape Nyiru, forming the constellation. Nyiru felt lonely, longing for the sisters who were so far away. Nyiru used his magic to go to the sky, forever in pursuit.

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Women collecting bush foods

collection of bush foods including Maku (witchety grubs), Kampurarrpa (desert raisins), Ipalu (bush banana) and Ili (bush figs).