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JB Fisher often paints subjects related to the Sugar Bag story, a story he has inherited. Sugarbags, or Gulka as it is locally known, are the native honeys found in the bush surrounding Ramingining. 

In this painting, JB paints the spoons made from natural materials that people use to eat scoop up the honey and eat it. 

Sugarbag story is related to the Mewal place, a significant area represented by the special shaped rock, situated in JB Fisher’s Father’s Country, just outside of Ramingining Community in north east Arnhem Land.

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View Of Country

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories, the artists paint their country where those stories sit.

This painting shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

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Menkawoon Yilgoowoorroom- All people coming together by Peter Thomas

In memory of my late beloved mother- Mary Thomas

In this painting Mary is showing different Cultures and tribes coming together, White people and Aboriginal people all coming together at the Bungle Bungles.

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Antarrengeny – Edie Kemarre Holmes

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories sit. Antarrengeny is Edie’s country and also her Father’s.

In this painting Edie depicts Antarrengeny, “when there has been no rain and the land shimmers like jewels. It is the open flat country, after a bushfire, when only the young grasses and the trees are growing and where there is good hunting.”

Edie has a strong connection to Antarrengeny. She gave birth to two of her daughters ‘out bush’ on this land. It is her country and she loves it dearly.

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Aunty Lena

Aunty Lena is one of Warmuns most famous artists. She often painted Barramundi dreaming which is portrayed in the background of this portrait. Peter painted this painting of her in remembrance and with great respect. 

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View Of Country

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories, the artists paint their country where those stories sit.

This painting shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

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Bush Flowers – Nancy Pitjara Frank

I was born in the bush at Ammaroo Station, along the Sandover.  I have never seen the ocean or a big city. My mother and father were strong healthy people who taught me and my younger sister Rita traditional way to hunt for Kangaroo, Goanna and Porcupine.  We know how to gather bush tucker (secrets of the earth) and bush medicine plants.  My mother used grinding stones to make seed damper.

When I paint I think about good memories, being a young girl and walking through the land.  My mother made paint from two stones and showed us ceremony painting and how to sing and dance for ceremonies.  I still sing and dance and collect the bush medicines, I like to make tea from the small purple flowers of Arreth (hill fuchsia).

Painting bush medicine stories is important because it helps to maintain a strong knowledge and culture for the community.

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My Grandmothers Country – Denise Ngwarraye Bonney

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories belong.

Denise paints ‘Tijamburra’, her Grandmothers country.

“This is my Mothers Mothers country, out near Canteen Creek, we go hunting  for wild onions, goannas, echidnas and sugar bag honey in the trees. I like to hunt in my country, there is water all year round even if it look dry, we follow the bird tracks to know where to dig and then we find water.


This painting is after rain, many grasses are out, but the riverbed is still sandy.”


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Raypiny Dhawu (Fresh Water Story)

All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of time. These creator beings moved across the countryside, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These creative spirits took many forms and when they gave the land to each group, they also gave songs, dances, ceremony, the associated laws and language.

 

The creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Many Ganalbingu artists paint totemic species significant to their clan. These can include baru (crocodile), banda (long necked turtle), buliya (catfish), yalman (waterlilies), gumang (magpie geese), dakawa (fresh water yabby), ratjuk (barramundi), warrnyu (flying fox) and more.