221382332940



Clapstick

Wood carving has always been part of Aboriginal culture. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to mark sacred sites.

Artists source the timber on country, walking from tree to tree to find the right piece for the desired functional outcome. Once found, it is cut and then brought back to camp to be worked, shaped, sanded and finally finished.

Clapsticks are used in traditional ceremony and dance as a percussion instrument to accompany Mago (didjeridu). Denser woods such as Ironwood or Kerosene wood are preferred due to their crisper clap sound. Clapsticks can be left raw or painted and decorated. Straight timber from younger trees is preferred as it requires less work to make functional.

221382332938



Clapsticks

Wood carving has always been part of Aboriginal culture. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to mark sacred sites.

Artists source the timber on country, walking from tree to tree to find the right piece for the desired functional outcome. Once found, it is cut and then brought back to camp to be worked, shaped, sanded and finally finished.

Clapsticks are used in traditional ceremony and dance as a percussion instrument to accompany Mago (didjeridu). Denser woods such as Ironwood or Kerosene wood are preferred due to their crisper clap sound. Clapsticks can be left raw or painted and decorated. Straight timber from younger trees is preferred as it requires less work to make functional.

221382332937



Clapsticks

Wood carving has always been part of Aboriginal culture. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to mark sacred sites.

Artists source the timber on country, walking from tree to tree to find the right piece for the desired functional outcome. Once found, it is cut and then brought back to camp to be worked, shaped, sanded and finally finished.

Clapsticks are used in traditional ceremony and dance as a percussion instrument to accompany Mago (didjeridu). Denser woods such as Ironwood or Kerosene wood are preferred due to their crisper clap sound. Clapsticks can be left raw or painted and decorated. Straight timber from younger trees is preferred as it requires less work to make functional.

377815582333053



Kulyakartu

This painting is about all the rocks and kurru (creeks) all around Kulyakartu and Kirriwirri.

We went camping there for to two weeks, we went to Wirnpa first and then to Kirriwirri. We camped in the nice flat ground in the open when we got to Kulyakartu.

This is the artists Grand Fathers country.

377815582333052



Kulyakartu

This painting is about all the rocks and kurru (creeks) all around Kulyakartu and Kirriwirri.

We went camping there for to two weeks, we went to Wirnpa first and then to Kirriwirri. We camped in the nice flat ground in the open when we got to Kulyakartu.

This is the artists Grand Fathers country.

377815582333050



Kulyakartu

This painting is about all the rocks and kurru (creeks) all around Kulyakartu and Kirriwirri.

We went camping there for to two weeks, we went to Wirnpa first and then to Kirriwirri. We camped in the nice flat ground in the open when we got to Kulyakartu.

This is the artists Grand Fathers country.

377815582333048



Kulyakartu

This painting depicts Kulyakartu, the artists grandfathers country where family used to live, north – east of Martu country. It shows the Tali or tuwa (sand hills) and the small creeks (karru) and the desert plants.